Table plan

Being a product with a persuasion for cinematic scoring, Elements makes extensive use of the clocking and sync function to the host DAW. Using the onboard arpeggiator, we managed to lose ourselves by truncating vocal samples, with the simple reduction of the attack and decay phases of the triggered envelope. But one layer which is designed to work in line with your DAW’s clock, is the Assignable Table, located in the Sound Control edit page. This page invites the drawing of a wave shape, much like a definable LFO shape, which may then affect a number of different parameters relating to your patch or layer. Results can be relatively simple and effective, or elaborate and overstated. With so many modern scores littered with pulsing elements and hybrid textures, it’s easy to establish where Elements could fit into your scoring template.