Cyclick Analogue and Digital Oscillations
We’ve gone for a waveform theme for our new sample packs this issue (and with twice the usual amount!), so both of our sampling experts have created their own analogue and digital waveforms. You can either use these as source waveforms in your own synths and samplers or use their treated creations just as great sampled sounds! Here’s Robbie from Cyclick to explain the process…
“This sample collection is based on two folders of source oscillations, one analogue and one digital. These have been created as an alternative to the normal waveforms that power our synths, be they analogue (real or modelled), DCO, wavetable or PCM sample. These root loops have then been used to create a set of instruments to provide looped lines, one-shot chord hits and multisamples (not all instruments were multisampled). These instruments were made using Kontakt 5 and three Arturia V Collection synths that can use samples: CMI (Fairlight), Synclavier and Mellotron. Plugins were used to finish off the programmed instruments.
“The analogue samples were derived from aircraft noises (recorded at a local airport), a signal generator I use for audio electronics build/repair work (through pedals), and instrument recordings from multitracks in my archive. They are all loops with lengths under 10 seconds and their tuning information is in the filename, though due to some rather odd harmonic structures, some lack a definitive fundamental. What they do possess is some interesting noise, modulation, phase and harmonic characteristics that are more complex than a standard oscillator, and as a result can quickly provide rich textures, both pleasant and otherwise.
“The digital oscillations are derived from basic patches from the Kurzweil K2600 synth, which uses PCM samples and provides very powerful shaping tools before any effects or filters are applied. These tweaked waveforms were then routed in a Boss DE-200 12-bit digital delay on maximum delay time. The Hold button was used to freeze a section and then the x2 mode was engaged to downsample the loop which was then recorded and a smooth loop extracted. For the HOG Synthesis samples, the K2600r output was sent to an Electro-Harmonix HOG pedal, and the various harmonics were tweaked to taste and the resulting recording edited for smooth waveform loops. Multiple oscillations in a low octave were captured as they are all slightly different, and when used in tuned layers can provide a thicker, richer source sound for further processing in your sampler/synth.”