Computer Music

Transient processors

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Transient shaping was made popular by SPL with their classic Transient Designer hardware unit, which uses something called ‘differenti­al envelope technology’ to shape the transients of sounds no matter whether they’re quiet or loud ones. In fact, this is the only processor we’re covering that doesn’t react to level directly – there’s no ‘threshold’ – responding instead to changes in level.

SPL’s processor is now available in plugin form both direct from SPL and also via the UAD platform. It’s no longer the only such plugin on the block, though, as you’ll find transient shapers from a number of plugin manufactur­ers. They tend to fall into two camps: the simple two-knob attack/sustain types, and the graphic-based ‘envelope shapers’ which tend to include a few more parameters. Either way, what we’re looking at is a processor that tracks and reshapes the envelope of the signal it encounters.

It’s tempting to just head for the attack control to adjust the front end of a sound, but you also have control over the sustain, and this can be just as important when finessing the sound. Reducing the sustain for a more ‘clipped’ (as in abrupt, not distorted) sound can be a great alternativ­e to gating when tightening up

“Reducing the sustain for a more ‘clipped’ sound can be a great alternativ­e to gating”

beats. However, increasing the sustain is often more rewarding, and on drums, for example, you can create the impression of quite heavy pumping compressio­n simply by extending out the sustain control, without the transients­quashing that can be associated with compressor­s. In general, transient shapers work best on shorter sounds, as smooth, sustained sounds can begin to sound a bit lumpy under heavy processing. Finally, watch your output levels, as a transient shaper can generate considerab­le peak levels.

In the walkthroug­h below, we’ll try two things: first, we’ll enhance the attack of a snare drum, and then we’ll soften off the attack of a picked electric guitar. In both cases, once the attack is set up, we’ll find that the sustain also plays a vital part in fine-tuning the outcome.

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