Digital Camera World

make cash from events

Events can be extremely lucrative, as long as you’re prepared to put in the time

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Shooting events is a good way to earn money with your camera, and it can offer more diverse subjects than specialisi­ng purely as, say, a wedding photograph­er. Events work involves a number of different photograph­ic and business skills, because you need to be able to shoot many different types of subject, and to deal with the needs and demands of both the organisers and participan­ts.

The skills and style of photograph­y needed for shooting a corporate function, say, are very different to those needed for shooting sports events, so you need to decide which types of events you want to shoot.

Experience pays

Before you start charging for your event photograph­y, it pays to get some experience of the type of events you plan to cover. You can often find small, local events to shoot for free that will enable you to gain some experience, although even these will often require you to be able to demonstrat­e that you can provide images suitable for their needs. You may also have to pass a criminal record (CRB) check if the event involves children. Many charities hold fundraisin­g events such as fun runs or activity days that need photograph­ers, which are perfect for learning the basics, so try approachin­g these organisati­ons, or look out for adverts for volunteer photograph­ers on job websites such as www.indeed.com to find events close to your home.

Once you have the experience you need, and you’ve developed your skills, you can begin to look for paid work. Start by approachin­g local businesses and events, although don’t be surprised if it takes some time before you get your first booking, because it can be a difficult area to break into without a track record. You’ll have a better chance of getting bookings if you can show organisers that you’re capable of shooting photograph­s that capture the spirit of the event and its participan­ts.

Remember that while it’s great to shoot creative images using techniques such as motion blur, shallow depth of field or panning to show some action, most event organisers are more interested in seeing pin-sharp images that clearly show what’s happening, and who’s there, than in arty

techniques. Make sure that you get your straight shots before you try to get too arty with your images – although there’s nothing wrong with getting some more creative pictures once you have your ‘banker’ images in the bag.

gear up

You can start shooting small events with fairly basic kit, but there are many functions that will require more specialise­d equipment. For many sports events, for example, you’ll need wide-aperture, long telephoto lenses and a camera capable of shooting at high ISO settings to get acceptable results in low light.

A 70-200mm f/2.8 lens would be perfect if you could get reasonably close to the action, but a lens with a focal length of 300mm or longer will be necessary for many motorsport­s or equestrian events, where you’ll need to shoot from a distance.

Many corporate events require you to shoot formal portraits on location, so you’ll need a portable studio with at least two lights and a backdrop, while other events will call for specialise­d equipment such as on-site printing with immediate access for customers, which you wouldn’t have as part of your normal photograph­y equipment. You’ll need to take this into account when you’re looking at the costs involved when setting up your business. Shooting events can involve some long hours, starting with

 ??  ?? A long lens with a wide maximum aperture is essential for sporting events where you can’t get close to the action.
A long lens with a wide maximum aperture is essential for sporting events where you can’t get close to the action.
 ??  ?? You’ll need to staff up to cover large-scale events.
You’ll need to staff up to cover large-scale events.
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