Digital Camera World

Canon Ambassador Brent Stirton shares his love of the Canon EOS R

The camera’s low-light performanc­e is just one highlight for Brent

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Brent Stirton was one of the earliest pro photograph­ers to put the EOS R, Canon’s first fullframe mirrorless camera, to the test. His photograph­y documents cultures often ignored by the headlines. He took it to one of his ongoing projects to document tribes in Namibia, southern Africa to shine a light on a disappeari­ng world. “If I have the opportunit­y to see what makes people unique, if I can photograph it well,” he says, “we get to keep that alive – at least in some form.”

His trip to Namibia gave Brent the ideal opportunit­y to find out how the EOS R could improve his photograph­ic workflow. “I’ve been waiting for a smaller camera from Canon, and now I have it.”

The EOS R’s full-frame image sensor and sharp, stabilised RF lenses ensure great shots in all conditions. “On an editorial assignment, I’ll choose a camera setup that means I can work on anything,” says Brent. “The EOS R offers me some of the best low-light performanc­e I’ve seen from a Canon camera. I start simple, really. If there’s great light, I try to work with that great light. If there’s not great light, I am able to hand-hold these lenses without any real issues.”

Used with the Canon RF 24-105mm f/4L lens, the EOS R offers five stops of stabilisat­ion. This allows longer exposures with pin-sharp results and gives photograph­ers like Brent longer to concentrat­e on the compositio­n.

The EOS R’s DSLR-style grip, advanced autofocus system and ultra-high-quality electronic viewfinder provide the quality of experience associated with a DSLR, but in a more compact frame. Its true silent shutter mode is also a perfect fit for those, like Brent, who want to shoot as a ‘fly

on the wall’, where it’s important the photograph­er doesn’t distract their subject. “The best cameras are the ones where you get to be spontaneou­s,” says Brent.

The Canon EOS R brings high-end features to the mirrorless format, including weather- and dust-proofing. Other protective settings include the shutter closing when the lens is removed, keeping dirt off the image sensor while you change lenses. “Working in Namibia, there are always very fine particles of dust blowing around,” says Brent. “What I really need is reliable gear.”

Combining innovative shooting technology and compact design, the EOS R and its lenses helped Brent capture a stunning set of photograph­s in Namibia that would have previously been impossible.

“Some of the best low-light performanc­e I’ve seen from a Canon camera” Brent Stirton

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 ??  ?? Above Taken on a Canon EOS R with Canon RF 24-105mm f/4 L IS USM lens, 53mm focal length; 1/125 sec at f/4, ISO 2,000Left Taken on a Canon EOS R with Canon RF 24-105mm/4 L IS USM lens, 35mm focal length; 1/500 sec at f/4.5, ISO 400
Above Taken on a Canon EOS R with Canon RF 24-105mm f/4 L IS USM lens, 53mm focal length; 1/125 sec at f/4, ISO 2,000Left Taken on a Canon EOS R with Canon RF 24-105mm/4 L IS USM lens, 35mm focal length; 1/500 sec at f/4.5, ISO 400
 ??  ?? Above Taken on a Canon EOS R with Canon RF 24-105mm f/4 L IS USM lens, 35mm focal length; 1/200 sec at f/16, ISO 200
Above Taken on a Canon EOS R with Canon RF 24-105mm f/4 L IS USM lens, 35mm focal length; 1/200 sec at f/16, ISO 200
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