Digital Camera World

Sigma takes the honours

The Sigma 50mm f/1.4 DG HSM | A leads the pack

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For outright image quality and top-drawer constructi­on, along with superb handling and all-round performanc­e, the Sigma 50mm Art lens is currently our favourite standard prime on the market. It’s not completely perfect, as it lacks weathersea­ls and is quite big and weighty, but it’s an epic lens. The Zeiss delivers similarly sublime image quality and adds weathersea­ls, but many won’t like the lack of autofocus – and, in the UK at least, it’s nearly twice the price of the Sigma. For Canon and Nikon DSLR shooters who are determined to stick with own-brand lenses, the Canon EF 50mm f/1.8 STM and Nikon AF-S 50mm f/1.4G are best buys. The Tamron 45mm is an excellent alternativ­e, however, and adds the bonus of optical stabilisat­ion. For a top-quality Sony full-frame E-mount lens, the Samyang is a great performer and very good value. With a choice of two colours, Fujifilm’s XF50mm f/2 R WR is beautifull­y turned out and, despite having the slowest aperture rating in the group, delivers superb performanc­e and image quality.

The Panasonic 42.5mm f/1.7 Power OIS is another lens that’s very impressive but, if you have a Micro Four Thirds body with sensor-shift stabilisat­ion, the less expensive Olympus M.Zuiko Digital 45mm f/1.8 is better value.

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