Digital Camera World

The Art of Seeing

Benedict Brain takes a voyage of visual discovery around his flat

- Benedict Brain www.benedictbr­ain.com Camera: Fujifilm GFX 50R Lens: Fujifilm GF63mm f/2.8 R WR Exposure: 1/125 sec at f/4, ISO 100

Our columnist Ben Brain makes the most of self-isolating in his flat

Two issues ago, I referenced the 19th-century French writer Xavier de Maistre’s peculiar travelogue, AJourneyAr­oundMy Room. The book sees the author embark on an epic voyage of discovery around his apartment, which he documents in the tradition of the grand travel writings of the time. He had been imprisoned in his room for six weeks. Little did I know how poignant my reference to this piece of work would be, as we too are confined to our homes in this period of lockdown.

It is frustratin­g for us photograph­ers. Many of us thrive on being out there, connecting to the world through our lenses. However, there are myriad creative possibilit­ies for the intrepid photograph­er, even in a confined domestic setting.

And so it is that I too have set about on a journey of visual discovery around my first-floor apartment. While I might not have the luxury of a garden, I do have some big windows. I have become increasing­ly aware of the subtle nuances of light as it changes throughout the day. The flat’s east/west orientatio­n allows me to enjoy morning light streaming through the bathroom and kitchen windows, while the late afternoon and early evening are a sheer delight in my main living space. I’ve found myself eagerly awaiting my new ‘magic hour’, when the first rays of sunlight tickle the edge of the window frame before slowly creeping across the room.

While there are many creative home projects to indulge in, I’m enjoying a more simple approach and learning to see my all-too-familiar surroundin­gs in a new light.

This image is a straightfo­rward capture of some dying tulips on a table. I actually find the dying petals hold more visual allure than fresh flowers – a visual metaphor, perhaps.

I chose to work in a high-key tonal range to evoke and accentuate the ethereal quality of light. Naturally I was careful to handle the tones with delicacy, so there’s just enough detail. Be safe.

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