Digital Camera World

The Art of Seeing

Benedict Brain explores his local landscape in search of the essence of spring

- Benedict Brain www.benedictbr­ain.com Camera: Fujifilm GFX 50R Lens: Fujinon GF 45mm f/2.8 R WR Exposure: 1/125 sec at f/5.6, ISO 100

Ben Brain searches for the essence of spring in his local landscape

Three issues ago, I featured a winter landscape in this column. The image revealed the piercing red skeletal structure of a dogwood bush in winter; it was illuminate­d by on-camera flash, which set the red tones off against the backdrop of a frosty winter twilight sky. I’ve experiment­ed with this technique before, but that image resonated with me, and I’ve been pursuing the technique and approach ever since.

In the last few months, what started as a small project exploring winter topographi­es has embraced spring; no doubt it will evolve into summer and autumn, and subsequent images will play an integral part in a wider project around my local landscape. I’m learning and refining my technique as I go along. This evolution is an important part of the creative process; I feel the images are becoming more accomplish­ed, complex and confident.

This image features spring blossom. I wanted to emphasise the fluffy whiteness of the flowers in a way that expresses their magical essence. As with the winter landscapes, I was using on-camera flash, only this time in broad daylight. I started working closer and closer to the subject, until soon enough my whole body was in amongst the tree. It was an exciting way to connect with the landscape. The blossom flowers closer to the camera have blurred and are more or less overexpose­d. In some circles this may be considered a ‘mistake’, but for me it helps express the sense of place I felt at the time. By focusing on the background, the twigs at the back of the scene are sharp and the image takes on an unusual sense of depth.

I also enjoy the way the white-ish splashes in the foreground and the sharp lines of the twigs take on a painterly vibe, almost a nod to abstract expression­ism and artists such as Jackson Pollock – although I’m loath to make painterly references, especially to the greats.

I’m looking forward to progressin­g this work, and will report back in the summer.

 ??  ??
 ??  ??

Newspapers in English

Newspapers from Australia