Digital Camera World

Capture street art

Learn how to show off an urban artist’s work with Alistair Campbell

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Photograph­y is just one medium in a plethora of ways to express ourselves. Quite often artforms cross over to become something else. We’ll often see photograph­s become illustrati­ons, or still images being used in a moving video. This way round isn’t too difficult: all you are doing is documentin­g someone else’s incredible talent.

I spotted this fantastic portrait by Brooklyn street artist Tristan Eaton in a large 12 x 7ft mural, on the corner of Mulberry and Broome in New York. It was sandwiched between a small Italian diner and a pastry shop (yum).

Whenever I’m visiting a place that’s new to me, I’ll carry a mid-range zoom lens (in this case the Fujinon XF 16-55mm f/2.8): the main reason is that it provides you with some versatilit­y. It might not provide super-silky blurred background­s, but it’s good enough. If I was feeling particular­ly brave, I’d pop a 35mm on and throw caution to the wind.

When I’m on the move, I’ll typically leave my aperture wide open, raise my ISO to something I know is manageable with noise (anything up to ISO 1,600), and let the shutter speed take care of itself – often with street photograph­y, you’re moving in and out of highly fluctuatin­g exposures. Then I just treated this shot the same as any other portrait. Click, done. Art by Tristan Eaton, www.tristaneat­on.com

Shooting a wide range of subjects for both editorial and advertisin­g purposes, I have worked in photograph­y studios for the last five years. I cover a variety of subject matters from musicians and actors to automobile­s and trainers. Each client I work with requires adjusting my style of photograph­y, adapting my lighting, and altering my editing process to fit their brief. Simple yet versatile setups are an effective tool when you’re working in a variety of locations and under time pressures. They are a great starting point to build on, to create more elaborate lighting arrangemen­ts to fit your brief. For this portrait of model Meghan, I went back to basics using just one flash (a Profoto B2 and D4 power pack) and a plain backdrop. www.prbphotogr­aphy.co.uk Instagram: @prb_photograph­y_

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