EDGE

OH! WATER LOVELY WAR

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That watercolou­r art style is prettier than ever, with lots of delightful little flourishes: we’re particular­ly enamoured with the delicate pencil marks you can glimpse at the edge of the frame beyond the painted area. If budgetary limitation­s are apparent in the narrative interstiti­als, they’re still wellpresen­ted, with animated conversati­ons captured within comic panels. They’re certainly far less static than Revolution, in which characters stood perfectly still to talk at one another, and much shorter, too. There may be a lot of these scenes – and there’s more beyond the central narrative – but they’re cut into manageably brief chunks, selected from a diary-cumscrapbo­ok which serves as a touching memento of your journey so far. Skirmishes, meanwhile, are preserved as a rudimentar­y top-down map.

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