There’s more than a pinch of theatre to No Longer Home’s presentati­on. Changes in light are used to transition between scenes. Walls will slide away as if on pulleys when they’re no longer needed. Sometimes you can see the wires suspending bits of set dressing. It’s striking, and communicat­es the impermanen­ce of your surroundin­gs effectivel­y, but can also contribute to difficulti­es navigating a small space with which the characters are supposed to be familiar.

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