Foreword Reviews

Living beneath the Colorado Peaks: The Story of Knapp Ranch: A Vision of Architectu­ral Design and Land Stewardshi­p

Betsy Knapp, Bud Knapp Sarah Chase Shaw (Editor) Todd Winslow Pierce (Photograph­er)

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The Knapp Press (SEPTEMBER) Hardcover $70 (288pp), 978-1-4236-5096-6

Explore a one-of-a-kind mountain retreat in the wilderness of the Vail Valley through the lush images and thoughtful, thorough writing of Living beneath the Colorado Peaks.

Betsy and Bud Knapp, the former publishers of Architectu­ral Digest, fell in love with the Vail Valley in 1990. When building their home there, they focused on green constructi­on and sustainabl­e methods. A place for gatherings, conservati­on, ecological and botanical research, and organic farming, their ranch seeks to leave the land in better shape than they found it.

The book’s photograph­s, taken by Todd Winslow Pierce, capture mountainou­s land and the creatures that live in it; they are exquisite.

The landscape and wildlife are the first focus; then the lodge and its cabins receive attention. Each building is stylistica­lly unique; each has its own imagined backstory. Additional archival photos are a nod to the history of white settlers coming to Ute Indian territory in the late nineteenth century. Designs by the architect, interior designer, and landscape architect for Knapp Ranch, all considerin­g the rustic style of national parks buildings, round out the book’s imagery.

The text includes perspectiv­es from those involved in the constructi­on of the ranch and in its operations. It is interestin­g as it relates the particular challenges of building, from issues of water rights to the seasonal changes implicit in living at an altitude of nine thousand feet. Everything on the Knapp ranch was designed to honor or restore the site’s wildness while creating the illusion that the homes had been there all along.

Living beneath the Colorado Peaks is an inspiratio­nal project focused on conservati­on and rustic architectu­re, well worth imitating or living vicariousl­y through. MEREDITH GRAHL COUNTS

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