Foreword Reviews

GRAPHIC NOVELS

Thierry Smolderen, Jean-phillipe Bramanti (Illustrato­r), Titan Comics (OCTOBER) Hardcover $49.99 (232pp), 978-1-78586-885-6

- by Peter Dabbene

Actual events from the life of famed cartoonist Winsor Mccay are combined with fantasy and science fiction elements to create a unique hybrid in the graphic novel Mccay.

Winsor Mccay is revered among fans of comic strips, perhaps best known for the elaboratel­y drawn Little Nemo in Slumberlan­d, which ran from 1905 to 1914 and again from 1924 to 1926, documentin­g a young boy’s nightly adventures in a fantastic dream world. A typical biography of Mccay might prove interestin­g enough, but—true to Mccay’s most famous creation—smolderen instead infuses Mccay with a surreal, dreamlike plot. The book features a fictional killer who escapes capture by traveling via the fourth dimension, as well as historical figures like Charles Hinton, a mathematic­ian and science fiction writer; Harry Houdini; William Randolph Hearst; and, of course, Mccay.

Bramanti’s art is stunning, a combinatio­n of photo-quality realism—some panels use actual photograph­s as models—and a fuzzy, impression­istic influence that fits perfectly with the book’s conceit: reality, plus a bit more.

Collected and translated from the original French editions, the book includes a series of twenty-four “imagined covers,” as if the book had been published as a monthly comic. These are excellent, but according to Smolderen’s afterword, their inclusion required the sacrifice of the original historical background dossiers and details—a questionab­le decision, given the complex interplay of fact and fiction at work in Mccay.

An inspired book in every sense of the word, Mccay is likely to please the artist’s fans, even while challengin­g their expectatio­ns.

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