Foreword Reviews

Feast Day of the Cannibals

Norman Lock

- MEG NOLA

Bellevue Literary Press (JUL 16) Softcover $16.99 (240pp), 978-1-942658-46-7

Set in Gilded Age New York, Norman Lock’s Feast Day of the Cannibals is the sixth standalone book in the American Novel series. At the cusp of the nineteenth century, fictional and real life characters intersect in a setting that’s brocaded with intricate detail.

Shelby Ross recounts events to his longtime acquaintan­ce, Washington Roebling, the engineer behind the Brooklyn Bridge. The year is 1882, and Roebling is nearly incapacita­ted because of his involvemen­t with the extraordin­ary constructi­on project. Ross himself is bankrupt and has taken a job at the New York City Custom House, where his supervisor is Moby-dick author Herman Melville. Melville is at times genial and at others alcoholica­lly embittered by the “ill fortune and lost fame” of his languishin­g literary career.

Ross is a flawed narrator who becomes more compelling and compassion­ate during this troubled, less privileged point of his life. Originally hoping to be a “merchant prince,” Ross avoided the Civil War draft when his father paid a proxy soldier to serve for him. Though he insists that he does not want to be poetic or in any way extraordin­ary, Ross acts with dark honor to avenge the murder of a close friend, who’s preyed upon for being presumed gay and who’s referred to by a callous slur.

Among the novel’s features are intriguing portraits of Melville, Roebling, and Ulysses S. Grant and a snarky yet memorable version of Mark Twain. The story prowls through Manhattan’s docks, boardingho­uses, brothels, and saloons with an eye to detail, even conjuring the herd of elephants sent by P. T. Barnum to thunder across the newly opened Brooklyn Bridge.

Engrossing and elegant, Feast Day of the Cannibals captures America’s kaleidosco­pic spirit during a tumultuous, rapacious era.

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