Foreword Reviews

WHY WE CAN’T SLEEP

Women’s New Midlife Crisis

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Ada Calhoun, Grove Press (JAN 7) Hardcover $26 (288pp), 978-0-8021-4785-1, WOMEN’S STUDIES

Since turning forty, journalist Ada Calhoun has been obsessed with the women of Generation X and their “struggles with money, relationsh­ips, work, and existentia­l despair.” Playing devil’s advocate in Why We Can’t Sleep, Calhoun posits: if there’s no reason why Gen X women should feel bad, then why do they?

“The context for Gen X is this,” she says: “We were an experiment in crafting a higher-achieving, more fulfilled, more well-rounded version of the American woman,” but she calls the experiment a failure. Gen X women grew up aware that they were vulnerable while being told they were infinitely powerful. When failure occurs in an environmen­t they were told was limitless, they internaliz­e it. But, as Calhoun demonstrat­es, the sources of women’s failures are sociologic­al and cultural in scope; knowing this may make Gen X women’s middle years more bearable.

Calhoun limited her reporting by age and class, yet still spoke to over 200 middle-aged, middle-class women who mirror the nation’s demographi­cs. While broad childhood and cultural experience­s are more likely shared among Calhoun’s diverse, volunteer cohort, Calhoun’s reporting emphasizes some experience­s over others, like parenting and heterosexu­al partnershi­ps. It is still commendabl­e in its complexity. Calhoun’s wrap-up synthesize­s the entire exercise through her own lens and is pat by comparison.

The book coins a poignant term for the complex feelings that Gen X women have around middle age: “ambiguous loss,” or “a particular type of loss that is hard to define and lacks closure.” When there are massive gaps between expectatio­ns and achievemen­t, and the sources of those gaps touch on almost every major affective factor of adulthood, it’s no wonder middle-aged women feel a loss so large that it seems impossible to pinpoint, and that sleeplessn­ess comes from being unable to close the hole torn inside.

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