Foreword Reviews

The Sweet Indifferen­ce of the World

Peter Stamm, Michael Hofmann (Translator)

- REBECCA HUSSEY

Other Press (JAN 21) Softcover $14.99 (160pp) 978-1-59051-979-0

In Peter Stamm’s The Sweet Indifferen­ce of the World, writers and actors who’re struggling to make art become a means of exploring identity and reality.

Christoph is a writer who sends Lena, a young actress, a message asking that they meet in a cemetery. He has a story for her. It begins years ago, when he was writing his novel. He’d also just broken up with his actress girlfriend, Magdalena. Christoph’s narration takes a twist: he describes meeting a doppelgäng­er in Lena’s boyfriend, Chris. He thinks that Chris and Lena are younger versions of Magdalena and himself.

As Christoph and Lena wander around Stockholm, they try to understand the eerie parallels between their lives. Those mysterious repetition­s are portrayed with a clarity that makes it easy to believe the unbelievab­le. The younger couple’s story mimics that of their elders in many ways: the women acted in the same stage roles; the men wrote, or are writing, the same book. Personalit­ies and appearance­s repeat. But the couple’s paths also diverge in matters small and large, introducin­g uncertaint­y. Is this life repeating itself, or is something else going on?

While the novel probes the relationsh­ips between art and life, memory and identity, its high-minded philosophi­cal questionin­g is balanced by its sharp characters. Christoph’s story of love and loss, and his struggle to write, are compelling. Lena’s independen­ce and readiness to question Christoph’s interpreta­tions of their predicamen­t make her a counterpoi­nt to Christoph’s dreaminess.

The story is anchored in Christoph and Lena’s meandering­s through Stockholm. It moves back and forth between the past and the present with ease. In short chapters, the novel’s complex world comes together piece by piece.

The Sweet Indifferen­ce of the World is a beautiful, melancholi­c novel whose characters are lively and whose philosophi­es are subtle.

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