Foreword Reviews

GIFT IDEAS

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RUDE TALK IN ATHENS

Ancient Rivals, the Birth of Comedy, and a Writer’s Journey through Greece Mark Haskell Smith, Unnamed Press (AUG 17) Hardcover $24 (208pp), 978-1-951213-34-3 LITERARY CRITICISM

Rude Talk in Athens is a spirited introducti­on to the all but forgotten work of the ancient Greek playwright Ariphrades. Since none of Ariphrades’s work survives, the “all but” refers to mentions of the playwright in other plays, like those of his main rival, Aristophan­es.

Ariphrades was called out for his fondness for a particular sexual act, and this serves as the spark for a deeper investigat­ion into the man and his role in Athenian society. Mark Haskell Smith consults experts on Greek history and theater, and even writes fictional interludes depicting the playwright plotting his revenge. He postulates that Ariphrades made enemies because he fulfilled the duty of the Greek comedic playwright to humble politician­s, generals, and other playwright­s.

The book’s larger focus isn’t Ariphrades, per se, but rather the importance of artists as a check on power, in ancient Greece and today. Smith’s style is freewheeli­ng, and his sharp opinions on modern politics might offend some more than his blunt humor: here, for example, European Union austerity measures are “just another siege by barbarians from the north.” But the book’s provocativ­e edge is softened by its humorous footnotes, personal anecdotes, and semi-scholarly examinatio­ns of Greek architectu­re, literature, and philosophy. Entertaini­ng and informed, Rude Talk in Athens is a dispatch from Greece with much to discuss. PETER DABBENE

FOUR-FIFTHS A GRIZZLY

A New Perspectiv­e on Nature that Just Might Save Us All Douglas Chadwick, Patagonia (JUN 15) Hardcover $27.95 (288pp), 978-1-952338-01-4, NATURE

Everything is connected, says wildlife journalist Douglas Chadwick in Four-fifths a Grizzly. From the minuscule to the large scale, the book explores how knowledge of these connection­s can help us to reverse the land degradatio­n and species decline that result from human interventi­ons in the wild.

95 percent of Earth’s biomass is comprised of humans and their livestock, and Chadwick says that paying attention is a good way to begin when it comes to redressing the species imbalance. As a child, he was fascinated by microscopy. Now, in his spare time, he watches grizzlies. Learning that humans share 80–90 percent of their genes with the bears, which only thrive in wilderness, convinced him of the interdepen­dence of creatures and habitats. He highlights such symbiotic bonds with examples, as of bacterial species, who populate the human gut and aid in digestion.

Any realistic look at the state of the planet must be depressing, right? Wrong. Chadwick lightens the tone by focusing on conservati­on success stories, such as island population­s that were restored by eradicatin­g invasive species, and the joined-up landscape achieved by the Yukon to Yellowston­e project. “Being one with nature sounds like an aspiration. It really isn’t, because we already are,” Chadwick concludes. Drawing on memories, stories, and rich visuals, Four-fifths a Grizzly reinforces humanity’s fundamenta­l relationsh­ip with, and reliance on, nature. REBECCA FOSTER

MY FATHER WHEN YOUNG

Michael Tisserand, Jerry Tisserand (Photograph­er) The Sager Group (JUN 15) Hardcover $25 (139pp) 978-1-950154-43-2, PHOTOGRAPH­Y

Michael Tisserand began a pandemic project: he started going through the boxes he saved after his father, Jerry Tisserand, died in 2008. That’s where he first discovered his father’s penchant for photograph­y. He presents a selection of the elder Tisserand’s photograph­s in My Father When Young.

All of the images included in this collection date from the 1950s. They are presented in full color, and are divided into three sections, covering Jerry’s weekend leave in Europe while he was in the US Army; shots from his return to Evansville, Indiana; and pictures from New Orleans during Mardi Gras in 1959.

While he was not a profession­al photograph­er, Jerry Tisserand had a good sense of compositio­n, took enough shots for his photograph­s to tell clear stories, and was present for interestin­g historical moments. His photograph­s from his European leave include Parisian shots of Yugoslavia­n President Josip Broz Tito’s visit there in 1956. One photograph shows the motorcade in motion; others focus in on the crowd waiting for Tito. And the Mardi Gras photograph­s were taken during the second official year of the gay Carnival krewe, and feature memorable, elaborate costumes.

Jerry Tisserand’s Evansville photograph­s are more family focused, featuring scenes like a New Year’s Eve party and the photograph­er’s sister’s wedding. They help to make My Father When Young a pleasant collection of 1950s imagery that pays tribute to a father’s hidden talent. JEFF FLEISCHER

THE ATLAS OF DISAPPEARI­NG PLACES

Our Coasts and Oceans in the Climate Crisis Christina Conklin, Marina Psaros, The New Press (JUL 20) Hardcover $29.99 (240pp) 978-1-62097-456-8, ECOLOGY & ENVIRONMEN­T The Atlas of Disappeari­ng Places is a virtual tour of coastal regions that are vulnerable to climate change. “We come from the sea,” it contends, so protecting the sea is a collective responsibi­lity.

Acidificat­ion, declining fish population­s, and plastic pollution have put the oceans in a poor state. And from New York City to Shanghai, metropolis­es are threatened by rising sea levels—a gradual hazard, as opposed to “‘fast’ emergencie­s,” like the hurricanes that ravage Houston and Puerto Rico. Meanwhile, constructi­on increases CO2 levels and threatens wetland habitats.

The book’s speculativ­e vignettes are positioned in 2050, showing what might change per high-end Intergover­nmental Panel on Climate Change prediction­s, and what preventati­ve or adaptive measures might be taken. The metaphor of the ocean as a body that’s suffering from chronic inflammati­on and trauma is effective. Statistics and expert quotes are used to lend support to the book’s models without overwhelmi­ng its storytelli­ng.

Painted with water-soluble inks on sheets of dried seaweed, the book’s maps are textured, attractive, and informativ­e. They complement its suggestion­s for practical ways to reduce climate impact, like cutting single-use plastics, eating less meat, and getting involved in environmen­tal advocacy. “What we do, and when, matters,” the book insists. Climate change is not just about melting ice caps and starving polar bears, and The Atlas of Disappeari­ng Places brings that reality home. REBECCA FOSTER

WOMEN HOLD UP HALF THE SKY

Selected Speeches of Nicola Sturgeon Robert Davidson (Editor), Sandstone Press (JUL 10) Hardcover $24.99 (320pp), 978-1-913207-60-1 POLITICAL SCIENCE

Women Hold Up Half the Sky gathers forty stirring speeches from Nicola Sturgeon, First Minister of Scotland.

Arranged chronologi­cally beginning in November of 2014, when Sturgeon took office, until February of 2020, when Scotland left the EU against its will, the speeches cover turbulent times. Still, Sturgeon’s messages brim with grace, hope, and resolve. Their topics include the health of Scotland, as well as broad concerns like equality, education, and the environmen­t. They are moving in expressing concern for refugees: “I am not suggesting that solutions are easy … but that is no excuse for not doing everything we can.” Concise introducti­ons precede each speech to establish their time frames and significan­ce.

Throughout, Sturgeon shows that freedom and independen­ce should be promoted for the good of all people. And gender equity is at the heart of the book—and it’s a message that Sturgeon lives out, as the first woman to hold her position.

While Sturgeon is a household name in Scotland, this book gifts her voice to a wider audience. Her messages and concerns may be Scottish through and through, but her progressiv­e, caring, and committed perspectiv­e stands to resonate the world over.

Women Hold Up Half the Sky collects addresses given by Nicola Sturgeon, a passionate, loyal Scottish leader with an internatio­nal vision. MELISSA WUSKE

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