Foreword Reviews

A Thing of Beauty: Travels in Mythical and Modern Greece

Peter Fiennes, Oneworld Publicatio­ns (NOV 30) Hardcover $27.95 (304pp), 978-0-86154-061-7

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Musings on the myths of ancient Greece are intertwine­d with contemplat­ions on climate change and Covid-19 in Peter Fiennes’s travelogue A Thing of Beauty.

As climate change set the world on fire and Covid-19 emerged, Fiennes traveled through Greece with ancient Greek travel writer Pausanias and Lord Byron as his guides. He made his way away from pandemic-deserted resorts, climbing winding foot paths to forgotten temples and balancing on the edges of deep sacred water wells, all the while expressing his amazement at the unforgivin­g Greek landscape that created a resonant civilizati­on of contradict­ions.

The purpose of the trip was to find hope and to search for beauty; these elusive terms are explored in depth, but the book provides no definite answers about them. In the end, it is the journey that matters. History, myths, and legends weave with musing present-day observatio­ns. A rushed visit to a museum blends informatio­n about legends and myths with the hurried chase through the exhibit, while a visit to a sacred site evokes thoughts of humanity’s impact on the environmen­t, resulting in insightful comparison­s between modern and ancient societies that are moving and profound. People encountere­d along the way are captured in precise terms, as with an eccentric Athenian taxi driver who speaks English with a Dutch accent and yells about motorcycli­sts who refuse to wear their helmets.

With the flavor of an educated train of thoughts, this is a rambling, sometimes chaotic travelogue, though one that still manages to keep with its story. Only the chapters featuring environmen­tal activists who protested the Greek government have the flavor of reportage; in breaking with the book’s establishe­d conversati­onal style, they establish two parallel narratives.

A Thing of Beauty is an entertaini­ng, erudite travelogue through Greece, both ancient and modern. ERIKA HARLITZ KERN

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