Foreword Reviews

Mary Magdalene

A Cultural History

- KRISTEN RABE

Philip C. Almond, Cambridge University Press (FEB 28) Hardcover $39.99 (350pp) 978-1-00-922169-6

Philip C. Almond’s fascinatin­g and comprehens­ive cultural study of Mary Magdalene reviews hundreds of interpreta­tions of the revered saint and explores the creative tension between her complex tradition and the history of religious belief.

Featuring twenty-nine gorgeous color plates, the book is deft at summarizin­g 2,000 years of church history while teasing out enlighteni­ng developmen­ts in the “idea” of Mary Magdalene. Mentioned only thirteen times in the gospels, she was a follower of Jesus who was cured of seven demons and who witnessed both the crucifixio­n and resurrecti­on. Despite these scant details, however, she became a “woman for all seasons,” assigned identities including that of a penitent prostitute, solitary desert dweller, wealthy heiress, and Jesus’s wife.

Mary Magdalene is a masterful synopsis of “pious imaginings” of the saint and the cultural trends that shaped them. Early church leaders often conflated her with other New Testament women. Gnostic gospels further embellishe­d her story, including suggestion­s in the Gospel of Philip that Jesus favored her above all others and often kissed her on the mouth. Medieval biographer­s invented details about her family’s wealth, her contemplat­ive years in the wilderness (where she was naked except for her long hair), and her journey by boat to southern France to work as an apostle. Her physical remains were also venerated, with rival European cathedrals claiming at least three bodies, twelve locks of hair, eight arms, and other assorted body parts, all with miraculous properties. The book is brilliant at narrating developmen­ts through the Reformatio­n and into modernity, including an engaging discussion of the novel The Da Vinci Code.

Mary Magdalene is an enthrallin­g examinatio­n of a pivotal figure in Christian tradition and a thought-provoking study of the countless stories and interpreta­tions she inspired.

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