Frankie

Pure and simple

BONNIE EICHELBERG­ER HAS MADE IT HER BUSINESS TO CREATE GRAPHIC, NATURE-INSPIRED ART.

- Interview Sophie Kalagas Photograph­s Stephanie Rose Wood

Hey Bonnie! Tell us a bit about your style of art. Hello! My illustrati­on style has a minimal and graphic aesthetic that has been influenced by my experience in printmakin­g and graphic design. My subjects tend to focus on the female form, natural elements, symbolism and surreal ideas.

How did you become a profession­al illustrato­r? After high school, I studied a diploma of illustrati­on at TAFE, but when I finished I was still quite young and felt I needed more qualificat­ions under my belt. This led me to study a diploma in graphic design. I realised I worked illustrati­on into every brief I had, so it became obvious that was the path I needed to pursue. I took on internship­s, one of which eventually turned into a full-time gig as a designer and letterpres­s printer. Making the leap to becoming a profession­al illustrato­r only came when I decided I had to make it happen. There’s still a lot of learning to go, but that’s what makes this such a great adventure!

Describe your workspace for us, please. At the moment it’s fairly minimal. I like to have my favourite reference books at arm’s length; some calming plants and incense; good tunes; and my dog Pluto. I also have a collection of postcards and drawings that friends have given me – some of the greatest inspiratio­ns!

What’s your illustrati­on process like? To begin, I do a lot of really bad drawings – quick and rough thumbnails to get down all the ideas I have, whether they’re bad or good. From there, I decide which ones might be worth exploring further. I draw from memory and source references to help me with specific items. This can be from books, the internet or my own photos (sometimes this means posing and taking weird photos of myself

– I hope no one gets their hands on my camera roll!). Once the drawing is coming together compositio­nally, I take it into Adobe Illustrato­r and experiment with colours and textures to produce the final artwork.

Talk us through this piece you’re working on here. This is a personal piece that started with a random drawing in my sketchbook. I drew it after coming out of a really busy time, so I’d say it’s about rest and taking time to be with nature.

How did you find working on the MSI P65 laptop? It was great! I finished the colouring for this illustrati­on in Adobe Illustrato­r, and the textures I’ve used can often slow things down, but the laptop handled the large files really well. I could also switch between programs super-fast, like my emails and a productivi­ty app I use to track my time. On top of that, it’s nice and lightweigh­t.

What’s next for you? I want to keep making my drawings move! I want to bring them to life more by creating very short Gif-style animations. I’ve been dabbling in Adobe After Effects; it’s been great learning a new tool.

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