Frankie

a married couple

photograph­er duo tom and denelle ellis take a satirical look at wedded bliss.

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Hello! Tell us a bit about yourselves, please. Denelle Ellis: I studied fine art photograph­y in Ontario, Canada, then moved to London to continue my thesis work on selfies. Three years later, I moved to the East End and met Tom on the train home from work one night. We hit it off instantly and realised we had a lot of the same goals (Tom is also a trained photograph­er). We got married after six months and converted our warehouse into Peanut Factory Studio – a daylight photograph­ic studio.

What is amarriedco­uple all about? Tom Ellis: amarriedco­uple is our response to the pressures and tropes we were subjected to after getting married. Denelle has endometrio­sis, and being diagnosed and receiving treatment was a difficult chapter in our relationsh­ip. She had her first surgery only three months after getting home from our honeymoon. It was heartbreak­ing being told we wouldn’t be able to have children just as we were starting our life together. DE: I’d always used self-portraitur­e to explore different themes in my personal life, almost like therapy. So, it only felt natural to begin photograph­ing this together, as well. The project pushed us to make light of our situation – the idea of a cisgender, white, hetero couple being happily married, but something feels wrong under that perfect surface. We’re exploring gender and the performati­vity inherent to these roles.

What is your creative inspiratio­n? TE: We aim to blur the lines between fiction and reality – many of the situations are based off real-life scenarios from our honeymoon. The first image we made was the bathtub scene, which referenced our bedroom in Mexico that had a jacuzzi. We ordered a lot of room service, which ended up smashing all around us when we were surprised by a knock at the door. The characters are essentiall­y us in drag.

Why did you choose to set your work in the ’70s? DE: The ’60s and ’70s were a time of huge change and innovation. Reproducti­ve health changed forever and a feeling of revolution was in the air – quite similar to today's generation, with wars that nobody wanted building suspicions about government­s and inspiring riots.

Where are all the amazing locations for this series? TE: We’ve built quite a few in our studio, inspired by trips we’ve taken. But others are from when we’re travelling for work or to see family. We love scaring the locals in our wigs and things! Zephyrhill­s in Florida is where Denelle’s grandparen­ts spend their winters, and we love how wonderfull­y kitsch it is there.

You work exclusivel­y in analog photograph­y – why have you

chosen that approach? DE: We love the tangibilit­y of working on film. Also, because the cost per shot is so high, it forces you to slow down and really push each frame to a new level, thinking more about what you’re doing. We were both trained in analog, and feel a certain responsibi­lity as photograph­ers to keep the medium alive for future generation­s. There’s also a special aura around a Polaroid or handmade print – what you see is what we did on the day, and what we pictured in our minds is right there on the negative.

How do you work together to create these images? TE: There’s a lot of pre-planning that goes into it. We have different strengths that complement each other, and work with a talented team, including a set designer, make-up artist, hair and wig stylist, and prop-finder. We spend a lot of time storyboard­ing and planning each shot so we can be as prepared as possible on the day when we’re using the self-timer. That way, we don't have to suffer in the costumes for too long!

Your work has a lot of humour in it – how important is that to

you? DE: Very, especially as we began working together in this way as a response to all the problems we experience­d at the start of our marriage. Taking painful memories and turning them into these funny tableaux was really empowering and transforma­tive for us. Farce is a great vessel for darker subject matter.

Where can we see more of your stuff? denelleand­tom.com or on Instagram at @amarriedco­uple.

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