Frankie

Out-of-the-box dressing

STUDIO RIGU DESIGNER RIYA GUPTA TALKS US THROUGH HER TAKE ON EMBRACING ABNORMALIT­Y.

-

What’s your background in fashion? Born and bred in New Delhi, India, I studied design and developmen­t at London College of Fashion and spent my university years gaining a wide range of experience under the guidance of different designers.

What motivated you to start Studio RIGU? After returning to my hometown, I noticed a lack of comfortabl­e formal wear for the modern, enterprisi­ng woman. There was a shift in Indian demographi­cs and a need for an updated wardrobe. This gap drew my attention and gave birth to Studio RIGU. I began interactin­g with friends and family, discoverin­g the difficulti­es they faced in finding well-fitted formal clothes. We decided to create everyday luxury with a modern sensibilit­y by incorporat­ing calculated yet eccentric minimalism and thoughtful detailing.

Tell us about this collection, In German, the word anomalien means ‘a deviation from the common type, rule or form; irregulari­ty or abnormalit­y’. This collection brings to life unique characteri­stics we embody: it’s warm, empowering, experiment­al and sophistica­ted. Each piece is created to be carried with confidence. The idea was to glorify every abnormalit­y we possess as individual­s and celebrate it. To be out of the box. To stand out.

How have you played with colour and shape? Studio RIGU is synonymous with the idea of ‘empowered femininity’. We’ve concentrat­ed on simple, classic shapes, along with modern tailoring and clean lines. We play with bold colours, mixing them with basic silhouette­s.

Can you tell us a bit about the beautiful fabrics? Our fabrics are sourced from mills that share a vision of creating in a low-impact way. They’re all natural, organic and recycled – we primarily use vegan silk (Cupro), organic cotton and organic denim, as well as handloom fabrics sourced from weaving communitie­s in India. Our desire to reinterpre­t and update ancient practices from Indian textile design has led us to techniques like tie dye and block printing. All pieces are one of a kind and made in different colour variations – we refer to our Indian roots for inspiratio­n for these pops of colour. We also use a unique technique of hand-weaving tape to create a woven fabric look, and use our garment and embroidery waste as trims to finish the clothes.

How do you combine the concepts of masculinit­y and femininity in your pieces? By mixing menswear fabrics with feminine silhouette­s, we challenge the convention­al idea of ‘power dressing’. The amalgamati­on of multiple genres, cultures and deep-rooted psychologi­cal traditions inspired us to create this eclectic blend.

Which is more important: fashion or comfort? Fashion that is comfortabl­e. Comfort is key in all our designs. For us, comfort transcends all trends and is a focal point during the design process.

What part of designing a range do you enjoy most? I enjoy researchin­g the most: learning about new techniques, new crafts and the stories of the craftsmen and artisans who are creating them. Each print and texture has a story behind it, and that fascinates me.

Where can we see more of your stuff? Online at studiorigu.com or on Instagram at @studiorigu.

 ??  ??

Newspapers in English

Newspapers from Australia