Future Music

Album Reviews

Pampa Records

- Tom Jones

Stefan Kozalla – aka DJ Koze – is one of techno’s most innovative artists. With Knock Knock, the wonderfull­y capricious German releases his first album in five years and it’s perhaps his most otherworld­ly and unique yet. Everything he does on the record arrives in a form you just don’t expect. Sounds you think you know are morphed and distorted, genres are fused together and arrangemen­ts are wild and beautifull­y unpredicta­ble. Like 2013’s Amygdala, Knock Knock has a kaleidosco­pic aesthetic, exploring disparate avenues with both a sense of adventure and fun. That is what sets this album part – its ability to be off-kilter, but at the same time, a euphoric experience.

Koze’s idiosyncra­tic style sees him explore disco, soul, hip-hop, folk, techno, psychedeli­a and pop, but all splayed through his otherworld­ly gaze. So singular in style is it that the entire album has an utterly timeless feel totally devoid of fashion. Instead, Koze creates a world of his own; one that although always familiar, twists our cosy assumption­s. Highly immersive and full of colour, this is undoubtedl­y the most expressive record from an artist who has never struggled to show the world his eccentric vison.

Even with an impressive cohort of collaborat­ors, including Bon Iver, Róisín Murphy, Mano Le Tough and Sophia Kennedy, Knock

Knock remains DJ Koze through and through – wild, risk-taking electronic music that sounds like no other.

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