Future Music

DREW’S GO-TO GEAR

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Dadamachin­es Automat

“MIDI to servo motor control-sequence anything; pots and pans, drums, glass, vibraphone. Basically, anything in the real world can be under MIDI control.”

Eventide H9

“An essential component of my sound design process. I don’t usually use them at the end of the chain – they’re more integral to the sound, then I often send the results back into the modular for further processing.”

UA Apollo X8 Qu-Bit Nebulae Elektron Octatrack

“Along with the Nebulae and the Morphagene, these are my sample manipulati­on arsenal. I use them to twist, mangle and stretch audio from the modular, field recordings, vibraphone – anything really!”

Make Noise Morphagene

“I use this all the time to explore the sonic spectrum, revealing and manipulati­ng things at a microscopi­c level.”

Verbos Bark Filter

“Incredible for picking out tiny slices of the frequency spectrum and for multi-channel diffusion pieces.”

Korg Monopoly

Sequential Circuits Pro-One

Jenco Vibraphone

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