JZ Microphones Signature BB29
JZ are expanding their mic range. Jon Musgrave sizes up their signature model
BB29 is a cardioid condenser mic from Latvia’s JZ Microphones and is the first in their signature series. It’s a single membrane design with 24mm centre-tapped diaphragm manufactured using their golden drop technology. According to JZ this method achieves a lighter and more agile diaphragm. The mic has a cassette-style body with slightly oversized headstock and although roughly the same size as their Black Hole mics, with no hole it’s more reminiscent of their Amethyst mic (originally from Violet Design mics).
Construction is very good with a lovely matt black finish and grille. On the front is the JZ logo in gold and on the back at the bottom is your serial number. At 330g the BB29 is fairly light and uses a custom low profile suspension cradle that’s very easy to fit to the button holders on the side of the mic. Alas, this is a paid-for extra. There’s also a mic stand thread on the bottom of the casing next to the XLR connector, so the mic can be mounted directly to a mic stand. Although, to be fair this doesn’t offer much directional flexibility.
In keeping with the other JZ mics I’ve tried the BB29 is 48V phantom powered and features hand-built fully discrete Class A electronics. However, this time the output is transformer coupled, and I’m pretty sure this is the first mic I’ve had from JZ that uses this configuration. At 20mV/Pa the output is reasonably healthy and noise figure (9dB-A) excellent, but there are no further options such as low cut filter or level pads.
My initial testing revealed the BB29 to have a nice lift in the upper mid range, but also a reasonably narrow cardioid pattern with a pretty smooth transition to off axis. Much like the Black Hole 2, the BB29 is quite sensitive to plosives, which is a bit of a shame as there’s some good low-frequency proximity as you move in close. This can be easily resolved with a decent two-layer pop shield, and with this in place I could then get in really close for intimate vocals or speech. Even so, with the BB29 you’ll be reaching for that pop shield a bit quicker than you would with some other large capsule condensers.
Compared to the Black Hole 2, the BB29 sounds more solid in the low mid frequencies. On acoustic instruments such as acoustic guitar this delivers a punch. On more edgy sounds like percussion and metals you’ll get a balanced sound with crisp attack and a smooth top end.
In conclusion, although it’s very stylish I don’t think the cradle offers enough positional flexibility, and the fact the cradle isn’t included in the price is also a bit disappointing. What’s more, although you could purchase a third-party pivot elbow and use that to enhance the on-body stand thread, again that’s a bit of a workaround which seems crazy on a mic of this price. That said, I can’t fault the tonal quality of the BB29, and it is without question a beautifully constructed mic.
It sounds solid in the low mid frequencies – on acoustic guitar this delivers a punch