ALM Busy Circuits Akemie’s Taiko

>ALM have a number of modules in their catalogue that have become must-have items for Eurorack enthusiasts. Pamela’s New Workout and Squid Salmple are two such modules but the ethos of great sound, intuitive design and fun carry through to many others in the range too.

Akemie’s Castle is a big hit for fans of FM synthesis, so why not look at Akemie’s Taiko? Taiko is an FM drum voice that fulfills that function with aplomb but it’s a whole lot more, as we’ll find out…

The module itself is standard ALM fare, with crisp, clean graphics that make reading the logical labels easy, even in dim lighting. I’m a fan of the high contrast black and white knobs that serve a similar purpose.

Shaping up

As an FM drum voice, Taiko offers what you would hope for, with inputs for trigger, accent and choke. These all function just as expected, letting you hook up a sequencer to start pattern design but there’s a bit more to it than that. Being FM in nature (Taiko uses original Yamaha chips too, so it really sounds the part) you can shape the voice into whatever you desire, combining six algorithms made from eight waveforms. There are controls for release and feedback, all CV-controllable, as is the speed control.

Melody maker

This alone would make for a highly useful module but ALM have upped the FM anti for a drum voice by making this a truly musical device. Input for volts per octave (with course and fine tuning controls) mean you can send melodic content into Taiko, transforming it into a kind of bastard love child of a DX7 and a

Linndrum. It retains much of the percussiveness of the drum module it is designed to be but takes on a beautifully quirky melodic nature.

Adjusting the speed control can tame some of the percussiveness, bringing this into the realm of a more controllable FM synth voice – but it will never quite be that and that’s part of the allure.

This is a bit of a magical module and it rewards experimentation

Tame the magic

Akemie’s Taiko is a bit of a magical module and it rewards experimentation. We went at it with riotous enthusiasm which could have resulted in a big mess but instead it produced a lively, entertaining and uniformly pleasing result.

Try feeding varying modulation sources into it and you’ll soon see the benefits, perhaps more than on any other module. Simple LFOs tweaking the algorithm work but try patching a sample & hold into the wave CV, or a coin toss into the two releases. It’s here that Taiko becomes more than a drum voice.

That said, if an FM drum voice is what you need, then you won’t go far wrong here. Plus some. Rob Redman busycircuits.com

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