Future Music

Audient iD4 Mk2

Audiophile design on a budget is a tricky goal. Jon Musgrave sizes up this popular and newly updated interface

- CONTACT KEY FEATURES WHO: Audient WEB: audient.com I/O: Class A mic preamp 1 JFET instrument input INSTRUMENT INPUT GAIN RANGE: 40dB MIC PREAMP GAIN: 58dB MAIN OUTPUT DYNAMIC RANGE: 125.5dB-A HEADPHONE OUTPUT DYNAMIC RANGE: 125.5dB-A POWER: Min 0.9mA @

For truly compact audio interfacin­g on the move, Audient’s recent EVO series has much to offer and I was really impressed by the slickness of the design. However, if you’re after a more audiophile experience their iD desktop range has always been a good bet. Up for review I have the new iD4, which, alongside its sibling iD14, has been given a mk2 upgrade, and now features better dynamic range, improved signal to noise ratio and a beefed up headphone output.

The iD4 is a 2-in 2-out 24-bit / 96kHz compact desktop design with one rear-mounted mic/line input and one front-mounted instrument input. The mic pre is Audient’s long establishe­d 8024 Class A circuit and the instrument input is a JFET design. On the back is the 48V phantom switch alongside a pair of ¼” balanced monitor outputs. On the front edge is the instrument input and both ¼” and headphone outputs. Both headphone sockets receive the same signal and can be used simultaneo­usly, which is very handy.

On the top panel, in addition to two preamp gain controls, you get hardware monitoring via a simple balance control (Input/DAW) and output level is set via the large push button volume encoder. The push action dims both headphones and main outputs and you can also mute just the speaker outputs using the speaker button. Meanwhile using the speaker button and iD button together allows you to adjust the left/right balance of the zero latency monitoring. Alone, said iD button activates the encoder mode so you can use the main knob to adjust DAW plugin parameters. Finally, the top panel includes a five-step output meter that temporaril­y doubles as a level indicator when you adjust one of the controls.

The iD4 mk2 is exclusivel­y USB bus powered, however unlike for its predecesso­r, connectivi­ty is now via the latest USB-C style port. The iD4 also takes advantage of the higher power supplied via the USB 3.0 protocol to deliver an improved headphone output and provide true 48V phantom power to the mic pre. To that end, a USB 3.0 connection is required, and although I did get the unit to function on a USB 2.0 connection, this is not supported and would likely be unreliable. Connection to iOS devices is also possible, though unless you’re using a new USB-C equipped iPad Pro you’ll need the Camera Connection Kit and a PSU. The iD4 is solidly made with all-metal casework, and with chunky controls and decent connectors, it definitely has a quality feel.

How does it sound? Well we already know the mic pre is very transparen­t and you’ve got 58dB of clean quiet gain. But for me it’s the instrument input that’s the star. The JFET design is quiet and punchy with plenty of headroom and if you do happen to clip the input, the distortion is natural and pleasing.

This mk2 release builds on the iD4’s audiophile credential­s whilst keeping things simple and compact. Yes, you’ll need a USB 3.0 connection to power it, but this is still a very solid upgrade.

For me it’s the instrument input that’s the star

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