COMPS, NO COMPROMISES

While audio comping is nothing new, it’s nicely implemented with a few unique touches that suit Bitwig’s workflow. Comping lives within each clip, meaning it works the same in clip launcher and timeline views, and comped edits can be dragged between the two. The tools and workflow are neatly designed – each audio take is colour coded, and various shortcuts make it easy to select, adjust and move audio events. One nice touch is the Fold To Takes function, an easy way to slice a longer take into equally-sized takes for editing. For editing long hardware jams, this is very handy.