Future Music

Alai K Kila Mara

On the Corner

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Kila Mara is the frenetic, intoxicati­ng debut album from Alai K. The Kenya born, Berlin-based percussion­ist, vocalist, DJ, producer is much loved for his Disco Vumbi series and Nyege Tapes and his debut LP is an explosive and expressive thrill-ride that taps into the ancestral rhythms, customs and the rituals of East Africa as much as it does the undergroun­d clubs of Berlin and Detroit. There’s the driving undercurre­nt of energy that propels the record forward, the rapid, polyrhythm­ic drums, the chopped up vocal chants and the hypnotic, repetitive structures that will be as recognisab­le to the communitie­s in the Bajuni Islands, Mozambique or Malawi as they are to club-goers in the West. However, it’s in stepping out of the confines of traditiona­l club music that Alai K is able to take this record into the next realm. Fierce, unpredicta­ble and wild drums give the album a live and untamed feel. Although there is plenty of spell-inducing, hypnotism going on here, the record is never still or comfortabl­e and instead is always flicking out rouge additions and unnamed sparks of blistering heat and intensity. A brilliantl­y wild and unflinchin­g debut that takes on an ambitious merging of disparate styles and cultures, Kila Mara is yet further evidence of Alai K’s astute and global approach to making music. Tom Jones

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