Future Music

Jlin, Akoma

Planet Mu

- Ninja Tune

US producer Jerrilynn Patton – aka Jlin – first emerged from the 2010s footwork scene, starting out under the mentorship of artists including DJ Rashad and RP Boo. While the frantic rhythms and staccato sample chops of footwork are still an important element of her sound, Jlin’s ambitions and musical output have stretched far beyond the edges of the genre in the years since her debut release, leading to collaborat­ions with some of the leading lights of electronic music, ambient, contempora­ry classical and visual arts – and scored her a Pulitzer nomination along the way.

It’s testament to the level of respect that Jlin commands as a producer that this latest album comes complete with starry guest appearance­s from Bjork, Philip Glass and the Kronos Quartet. As eye-catching as those names are, it’s Jlin’s distinctiv­e style of intricate and restless production that remains the star of the show on Akoma.

Perhaps more than ever before in her career, here Jlin blurs the distinctio­n between club music, jazz and classical. Throughout the album, stuttering drum machine grooves and grimy bass hits sit alongside rhythmic and melodic influences pulled from diverse corners of 20th century experiment­al music and African traditions. On Eye Am, for example, complex layers of traditiona­l percussion wind around propulsive waves of synthesise­d sub bass. Sodalite, meanwhile, pairs tense strings from the Kronos Quartet with Jlin’s frenetic drum sampling, the two elements initially sounding as if in competitio­n, before later resolving into something more unified.

The album’s most distinctiv­e moments come with Summon, on which Jlin swaps the drums and bass for orchestral samples, yet still arranges everything in the style of a stuttering footwork banger, and the final majestic payoff of Philip Glass collaborat­ion The Precision of Infinity.

Si Truss ADD THESE TO YOUR PLAYLIST

Summon, Sodalite, The Precision of Infinity VERDICT 9.0

Released ahead of her debut album Prism of Pleasure this May, Make Me is the latest single from Cardiff-born, London-based artist Elkka. It’s an excellent example of how to craft an emotive and driving club track. Built primarily around an insistent vocal sample and rising, euphoric piano chords, in lesser-hands Make Me is the sort of track that could easily feel saccharine or overblown. Elkka pulls it off though, by keeping the track structural­ly restrained – looping the main idea but switching up the beat with bursts of drum break and filtered breakdowns. Half way through the record, strummed acoustic guitar chords push the track in the direction of vintage

’90s pop, without ultimately diluting the power of the driving bass hits. Si Truss VERDICT 8.0

 ?? ??
 ?? ??

Newspapers in English

Newspapers from Australia