Geelong Advertiser

LIVING WITH THE AMISH

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DOCUMENTAR­Y Living With The Amish SBS ONE, 8.30pm

Yes, this is a reality show involving a group of British teenagers being sent to live with the Amish. But there’s a lot more to this show than just laughing at the spoilt teens as they try to adapt to the tried and true methods of a community who enjoy plain living and eschew modern technology (however, exceptions seem to be made for the washing machine). Although the results are predictabl­e, this clash of the cultures still provides some revealing insights into teenagers and our modern world. In tonight’s third episode, the boys stay on a dairy farm that operates without hired help, so expect some unwelcome early starts and a few run-ins with animals which are hard to moo-ve.

DRAMA The Good Wife TEN, 8.30pm

Being in debt is never a nice situation, but it’s hard to feel too much compassion when it’s a law firm trying to avoid bankruptcy – let’s face it, they’re lawyers, they’ll soon find another well-paying job. For the show’s sake, Lockhart & Gardner will most likely survive their pecuniary difficulti­es, especially now Will (Josh Charles) has completed his six-month suspension. Meanwhile, Peter (Chris Noth) is continuing his campaign to be governor and he receives some welcome help from a wealthy businesswo­man, played by Maura Tierney. He also gets some unexpected aid from the good wife herself, Alicia (Julianna Margulies).

MOVIE Event Horizon ONE, 9.30pm, AV15+ (1997)

In 2047, astronauts leave Earth to salvage an AWOL vessel that has floated in the cosmos without contact for several years. Upon arrival, the mission’s participan­ts (led by Laurence Fishburne) encounter unexplaine­d developmen­ts. Starting with gripping impact via some truly startling scares (not since Aliens did space looked so terrifying) and a score that the devil might consider for elevator music, Event

Horizon proceeds to plumb the dark recesses of scripting no-nos, resulting in sci-fi codswallop. Ultimately, Sam Neill is painful as the villain, and a botched resolution renders Paul Anderson’s horror-in-the-stars scare-fest only half interestin­g.

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