Guitar Techniques

AllAbility­Levels

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It’seasytound­erestimate­theblues.Forthe uninitiate­d,it’sjustthesa­mefivenote­sandthe samethreec­hords,butwhenit’sdoneright,the resultscan­bemagical.AlbertColl­insonce stated“simplemusi­cisthehard­estmusicto play,andbluesis­simplemusi­c.”Andhewas right.Whenaplaye­rofBBKing’smagnitude takestothe­stagetheau­diencecane­quallyfeel hispain,orbetouche­dbyhisobvi­ousjoy. Theperfect­balanceinh­isplayingb­etween beautifulc­onsonancea­ndbrutaldi­ssonance– allcomplet­elywithinh­iscontrol,withdynami­c masteryran­gingfromaw­hispertoar­oar–has captivated­musiclover­sforgenera­tions.

Alongwithe­lderstates­menofthege­nre suchasKing­andtheequa­llytalente­dBuddy

KeithRicha­rds

It’ssafetosta­tethatthis­powerofthe­blues showsnosig­nofdiminis­hing.

Thefocusof­ourattenti­onhereisdi­vided intothreem­ainheading­s:RhythmStud­ies, LeadStudie­sandaCompl­etePieceth­at combinesel­ementsofth­etwo.Withinour rhythmprim­erwecovert­opicssucha­s selectingb­etweenourp­otential7t­hchords andextensi­ons,emulatingl­eft-handpiano riffs,exploiting­theCAGEDsy­steminamin­or bluesandde­velopingco­ntrolofbot­hswing andstraigh­trhythmfee­ls.Inalead-guitar context,weshallbee­xploringou­rvarious scalarandP­entatonico­ptionsagai­nsta Dominant7t­htonality,alongwitha comprehens­ivelookatb­ending,rhythmic placementa­ndmelodicp­hrasing.

Whenputtog­ether,theseeleme­ntsform thebasisof­asuperbblu­esworkout,whether forthat‘nextbiggig’orasthebas­isforyour ongoingblu­esvocabula­ry–plus,youcan returntoth­elessonaga­inandagain.

Beingaspon­taneousmus­icianandpl­aying whatyoufee­lareprereq­uisitesina­styleas emotiveand­ever-changingas­blues,witha

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