ExAEmxPamlEpl7e B7:RBErAeaKkDdoOwWn

Aonf dOimFiDniIsMheIdn7ItShH, cEhDro7moeTaHtic, acpHpRroOacMh,AeTmIbceAlliPshPmReOntAacnHd 8 inversion #7 8 66 7 Tim shows how you can combine approaches Edim7/GHere the e 9 Edim7/B7is approached Edim7/Gby the chordsA7 from example 6, then example 4 before finally hAitt1in3g its target. 6 to a target Edim7 chord. techniquesoej Example 7: Breakdown of diminished 7th, chromatic approach, embellishment and inversion techniques chromoe embellishmebnt Example 7: Breakdown of diminished 7th, atic approach, andoeinversion Edim7/Bb E dim7 Edim7/G Edim7/B Edim7/G A7 BB 7 E dioe m7 Edim7/G Edim7/G A7 B 6 7 7 Cm7 7 7C m7 Cm7 4 4 4Db

13 4 6 4 6 D 6 6 13 Db D 13 D 10 9 9 10 9 9 10 1909 9 9 9 5 5 5oe 5 3 3 3 3 11 11 11 11 6 6 6 6C9 6 C9

CC9 C9 9 8 8 9 8 8 9 8 98 8 8 8 8 8 Cm9 5 5 C m7/G 5 G dim75B 7/A 8 5 8oe 5 Cm9 C m7/G G dim75B5 5 Bn Cm9 CC m7/Gm7/G GG dim7dim7 B 7/A Cm9 C m7/G G dioe m7B 10 8 11 11 11 8 8 9 10 11 12 10 11 180 8 8 10 1808 8 8 8 8 10 11 8 C9/G10 11 181 8 C190/Gb 10 C9/G Cb oe9/G Cn oe9/G

8 9 8 8 89 8 9 9 8 8 8 8 11 9 11 10F 13 11 191 191 10 110 10F 13 F13 F13 8 8 7 8 8 8 7 8 88 8 78 8 7 8 7/A 11 10 12 11 11oe 110 120 112oe 11 10 10 10 10

6# G7 9 6 6#

oe9 Gn7oe G7# G7 9 G7oe 10 9 10 B7b5 B7 5 B7 B7 oe6 7 7 6 7 766 6 7 7 7 7 5 6 10 9 10 10 9oe 190 10 10 8 8 8 8 6 6 6 G7 9/F 6 11 11 11 11 G7oe

9/F G7#

9/F G7oe oe9/F 9 8 9 8 9 9b 898

BBA 13