EX­AM­PLE 2 CHRO­MATIC II-VI BRIDGE LINE VARI­A­TION WITH AL­TERED IDEAS

Guitar Techniques - - LEARNING ZONE | EARL KLUGH -

heboe HDere’s a the same changes, although Earl ups the ante in terms of chro­matic dec­o­ra­tion, such as the en­clo­sures in bar 1; and 1n aoen­doe3 (aoe7 ab­noed func­tioni∑ng ⋲in ap­proaches the 7th chords ass­bocbi­a4ted thei&r al­tered scale (a Ma­jor scale with ev­ery note ex­cept the (r-b2-b73-b4-b5-b6-b7). root, low­ered by a semi­tone This gives us a ra­toehe#r oeuseoe­ful rootoe, set of notes, con­sist­ing fla7t­tened and raised 9ths, ma­jor third, flatte⋲ned and raised 5ths and flat­tened 7th.

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