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I’m happy to admit that Billy Gibbons is one of my favourite blues-rock guitarists. Of course, there’s no shame in this as he’s one of the most successful names to have ever wielded a Les Paul. But in a in a tuition mag like GT some may say what’s so special about him? Furthermore, what’s challenging enough to warrant teaching his style? Well, while his band’s songs (ZZ Top, just in case…) are well known, some say his Pentatonic/Blues scale vocabulary isn’t as dazzling as, say, Hendrix or Howe or, drenched in virtuosity like Meola or Vai. Compared to these types of guitarists, Billy can seem a meat and potatoes player with little that’s going to bust one’s brain or chops. Or at least it can seem that way. Delve a little deeper though and it’s how he brings together fundamental components; the Pentatonic notes, infectious rhythms, and thick overdriven tone all add to the appeal. The key is in his vibrant musicianship; whatever he plays, the Texan legend sounds like there’s a mischievous twinkle in his eye (albeit hidden behind the Ray Bans) and axle grease on his fingers. If you love what he creates we have two great blues-rock solos on page 58 that will provide core Billy soloing trademarks. The tone bends, the blues curls, the gnarly 3rd and 6th based double-stops, the use of triplets in 4/4 time, the use of repetition to drive a groove on; all here to acknowledge and duplicate in your own playing. Of course, if you hanker for fresh new terrain, now might be the time for you to properly address the Melodic Minor scale. The mystery and exotic-ness of this scale (and its modes) is deeply loved by some but proves baffling for others. If you’re the latter type, turn to page 88 (Fretboard Fluency) and check out the primer arpeggios and sequences as they’re not that tough to play. If you’re already somewhat savvy to ‘the scale of great sophistication’, try the article anyway; it may just fill in a few blanks that have been hampering your progress. Once done, dip into Jazz (p66) for a wealth of wonderful chords, licks and phrases that embrace a bunch of keys and modes including the melodic minor. Enjoy the issue!