GET GIG READY Chops away!
Looking forward to hitting the stage again after an enforced layoff? Richard Barrett focuses on essential chop maintenance and core playing techniques with a selection of bespoke exercises and two performance payoff pieces.
With live shows back on the agenda your chops may need reviving. Richard Barrett’s lesson is designed to pep up every important area of your playing, ready to hit the stage.
Apart from some notable online collaborations (cat-based heavy metal anyone?) there has been a distinct lack of opportunity over the last year or so to get out there and strut our stuff in real time. Be that in a rehearsal room or on stage. Playing or practising while binge-watching TV on the sofa, will no doubt have helped some improve their game. But how relevant will these improvements be when we’re back standing in front of an amp, drumkit and audience? These are the concerns I’ll be addressing in this article.
The areas covered here will also be helpful to those who have decided to go back out into the world and start or join bands. At the risk of stating the obvious; it’s incredibly useful to develop our skills in isolation. But what sounds great at home may not translate to the outside world; and even seasoned pros will need to approach their first day back in the saddle with appropriate caution. The exercises and example pieces that follow, will deal with techniques you may expect, such as alternate picking, string skipping, legato, fast chord changes, position shifts, etc.
But first I’d like to emphasise the kind of considerations you don’t always read about in a feature like this, such as; have you been practising exclusively in a seated position? This is fine if that’s how you perform, or if you wear your guitar high on the strap - ie, in a comparable position for your hands and arms - otherwise, it may be time to dust off the strap and re-acclimatise. Have you been playing through an amp, or unplugged on the sofa? Acoustic practice is very valuable, but the skill to control a distorted tone is not something to be neglected either. When plugged in, do you use a pedal board or plug straight into a driven amp and control it from the guitar? Whichever way you approach this, it’s worth re-familiarising yourself with the kind of switching and on-the-fly adjustments you’ll need to be able to do automatically while playing a solo and cueing the singer to come back in. Steering things back towards the technical exercises; do make the time to practise these examples with the backing tracks provided, or to a click. As much as we are not machines and ‘feel’ is important, we’re kidding ourselves if we don’t realise that playing with bad time will just make our playing sound sloppy. This is especially true if you count yourself as a ‘professional’ musician. And if you’re a semi-pro playing functions, remember that the person who booked and paid you is probably in the audience assessing your performance. Therefore if rehearsal rooms open before your first gig, why not book a day on your own, to play at stage volume; and another for the band to try the old songs again or, better still, learn a few new ones. And why not record yourself? It’s so revealing that you’ll soon discover if you really are ‘gig fit’.
I hope these exercises will be part of an exciting preparation to get out there playing again. All the best and have fun!
“It’s worth re-familiarising yourself with with the switching and on-the-fly adjustments you’ll need to be able to do automatically while playing ”