GARY MOORE

GGarTy M3o2o turbocharged his blues tone by playing through a flAatL-oBuEtR Marshall stack. It is easy to hear the Albert King influence in the aggression of the string bending and finger vibrato. Again we start with well-defined pair of motifs. These are then repeated and developed through the 12 bar form. There is another variation on the classic Albert King lick to study in bars 13 and 14. Gary said, “Sometimes only an Albert King lick is the right thing to start a solo!”