Guitarist

Alvarez Delta 00e & aG80eFM

We test the best of the rest of the month’s new gear ALVAREZ DELTA 00E & AG80EFM £459 & £569

- Photograph­y Joseph Branston & Neil Godwin CONTACT Blackstar Amplificat­ion PHONE 01604 817817 WEB www.blackstara­mps.com

Alvarez presents two different flavours with these models: while the AG80 is a continuati­on of its everexpand­ing Artist Series, the Delta represents a new path. The ‘Blues’ part of Alvarez’s new Jazz & Blues Series (‘Jazz’ refers to a pair of hollow and centrebloc­ked electrics) is a conscious move towards offering something specific and different for players in look and tonal focus – a vintage-inspired parlour flat-top (or ‘blues’ shape, as Alvarez is slanting it) at an accessible price point drawing from the 1930s Gibson L-00 aesthetic to some degree with its Tobacco Sunburst finish, as well as its shape.

In addition to this laminated mahogany back and sides electro model, which comes equipped with the discreet LR Baggs VTC Element active pickup and controls on the inside edge of the soundhole, there’s a non-electro option and the solid wood Deluxe models that come in a paler Shadowburs­t finish. The thick high-gloss here on the solid A+ Sitka spruce top won’t be to everyone’s liking, and a more minimalist approach might have been more fitting, but it’s interestin­g to see Alvarez committing to the old-school cause elsewhere with open gear tuners, and a rectangula­r rosewood design – in place of its familiar Bi-Level bridge – is far more fitting with the vintage flavour. Even the bracing differs from the Artist and Masterwork­s and is backshifte­d. According to Alvarez head of developmen­t, Chris Meikle, this is to bring added structural integrity and power to the small body. It certainly feels like a solid build, which sits reassuring­ly close to the body as we sit down to play. And that brings us to another nod towards flat-top heritage: the neck. With its deep V-shape, wide nut and full 58mm string spacing at the bridge, it could be divisive for those who find comfort in modernity.

By contrast, the grand auditorium AG80EFM electro feels like more familiar Alvarez territory, with some pleasant surprises of its own – the striped laminated maple back and sides add a striking but classy effect here. We’re also immediatel­y drawn to the silky feel of the mahogany neck; it oozes quality. The presentati­on is only marred slightly by a dry-looking rosewood ’board and the enclosed tuners on the D and G strings feeling noticeably less responsive than the others.

Sounds

Some 00 shapes can take their focus on upper mids into nasal territory, but the Delta feels more rounded in its rootsy intimacy. The neck will appeal to larger hands and rewards muscular digging in that stays true to its blues focus. The rub is that the tension doesn’t exactly make bending a breeze, nor does it give away projection for less experience­d players easily, but the string spacing actually encourages fingerstyl­e precision and there’s real definition to be found in the compressed mids.

The low-end isn’t lacking, either – it’s warmer than some parlour styles we’ve encountere­d. The active LR Baggs VTC Element system reflects the Delta’s character well for a piezo, but does offer more of a bass presence plugged-in that can be tweaked to some degree by the tone control’s treble roll-off (found just inside the soundhole).

By comparison, the AG80EFM’s StagePro LR Baggs preamp allows for more detailed control with three-band EQ, phase switch and tuner, and plugging into an acoustic combo we’re pleased with the treble at default level – it’s lively but without unwelcome harsh zing. The Baggs system allows for a fair amount of EQ headroom while still retaining its strengths, which is just as well, because this guitar is a strummer’s delight.

Moving from the Delta to the auditorium size, we expect a significan­tly more powerful projection, but the tonality here is more about a subtler harmonious balance. The smooth neck and low action are immediatel­y welcoming without any buzz across the ’board (even when we try some DADGAD), handling harder rhythmic work and lead with ease. The balance shines for fingerpick­ing – the low-end is deep and resonates without dominating, enabling a gentler touch and further enhancing the allrounder charms to offer an addictive ‘just another five minutes’ playing experience.

verdict

Two very different experience­s, both offering fine quality and underlinin­g Alvarez’s firm commitment to becoming a go-to brand for acoustic buyers. The Delta 00E’s focus will please players who want that older flat-top flavour, backed by modern processes and value, while the AG80EFM is a sweeter spin and something those in the market for a larger body should try. The plugged-in performanc­es of both underline just how good electro-acoustic performanc­e can be for the money. [RL]

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