Example 3

THOUGH MOST of these examples can be traced back to pentatonic origins, this idea has more in common with the D major arpeggio. Some strategically placed slides enable a shift of position that frees us from the usual ‘box’ constraints, with a melodic line formed mostly from

Etrxip3leStst,ewvehiLcuhkfaithoevresrttyhle shuffle backbeat. Note the skipped string when jumping the octave in the final bar, something Steve is very comfy with.