Classic Gear
The Les Paul Special was released in 1955 following the introduction of the Junior, TV and Custom models the previous year and completed Gibson’s seminal range of Les Paul-endorsed solidbody electric guitars that began with the Les Paul Model/Goldtop in 1952. As a hybrid of the $235 dual-P-90 pickup Goldtop and the $120 no-frills ‘Limed Oak’ finish TV model, it was originally listed at $169 and sat between the two both in terms of price and spec. “The new Les Paul Special solid body Electric Spanish [single] Cutaway Guitar incorporates the features that have made the Les Paul Model famous… Solid Honduras mahogany body and neck finished in limed mahogany shading,” reads Gibson’s 1955 catalogue.
Along with its Les Paul Model-style single-bound Brazilian rosewood fretboard and pearl inlay Gibson headstock logo, the Special inherited the Goldtop’s dual ‘soap bar’ P-90 pickup array (with black, rather than cream, coloured covers) including identical volume/tone controls and a three-way selector switch. However, with its unbound, flat-top mahogany slab body, dot inlays and ‘limed’ finish (a somewhat nebulous term ranging from pale beige to yellow throughout the 50s), it was equally reminiscent of the Les Paul TV, which, along with the Junior, was aimed at studentWhile
level players. Furthermore, the Special’s modest appointments of three-on-a-plate Kluson Deluxe tuners and an adjustable, stud-mounted ‘wraparound’ bar bridge/ tailpiece maintained its comparatively humble appearance vis-à-vis the Goldtop, which, by 1955, had been upgraded with a Custom-style Tune-o-matic bridge.
The Les Paul Special sold relatively well during 1955, 1956 and 1957, with figures showing an increase from 373 to 1,345 to 1,452 units shipped respectively. But an overall downturn in the Les Paul range’s sales towards the end of 1957 prompted Gibson to take a fresh look at its designs. Subsequently, in July 1958, a new “ultramodernistic” double-cutaway body shape was unveiled at the NAMM Show alongside similarly updated versions of the TV and Junior models, and by early 1959, the first of Gibson’s revised Les Paul Specials began to leave the factory.
The Special completed Gibson’s seminal range of Les Paul-endorsed solidbody electric guitars
keen to modernise its image with the introduction of double-cutaway bodies, Gibson decided to replace the Les Paul Junior’s traditional Sunburst with a new transparent Cherry Red finish as standard. As its sales rocketed, in spring 1959, the company announced that the Special would also be available in the same colour in addition to “a brand-new shade” of limed mahogany. The wheels of change were in motion and later that November, with Les Paul’s influence on the wane, the guitar was rebranded the SG Special and Les’s name was soon removed from the headstock.
Although the Special showed a 190 per cent increase in annual sales at the end of 1959, shipping figures began to decline yet again over the course of the following year, despite Gibson addressing the issue of the guitar’s notoriously weak neck/body join by shifting the rhythm/neck pickup routing further towards the centre of the body. In the face of relentless competition from the likes of Fender, Gibson decided to revise the Special’s design for a second time and in its Summer 1961 Gazette, the company finally announced: “Another guitar with new styling.” And with that, the SG Special’s transformation to the contemporary SG style of pointed double cutaways was complete.
Guitarist would like to thank Mike Long at ATB Guitars in Cheltenham (https://www.atbguitars.com)