THE ORIGINAL BOLT-ON
The Fiore is PRS’s latest bolt-on guitar, but this story began back in 1988 with the short-lived Classic Electric
It was 1988 and PRS had been in business for barely three years, gaining a reputation for a return to a highquality and quite classic style in a market that still seemed obsessed with Floyd Rose locking vibratos. Its instruments had also been labelled as expensive. Known for the time-honoured Gibson formula of mahogany and curly maple with glued-in necks, PRS launched the Classic Electric in ’88 with the aim of both a more affordable bolt-on guitar and one that was advertised as “Maple and Alder: bolt-on traditional feel with a sound of its own.”
Not only were the woods different, there were opaque finishes only, no maple tops and no bird inlays. It was a different PRS and one that confused the market. The name was swiftly abbreviated, by 1989, to CE (and later CE 24) after Peavey objected to the word Classic, maple tops were added, birds appeared, plus a black-faced headstock with a signature logo. By August of 1994 the body wood changed from alder to mahogany and the CE became a slightly more affordable bolt-on Custom rather than a more Fender-flavoured PRS.
The original maple/alder Classic Electric, however, didn’t feature the sort of coilsplits we’re used to today. The two ‘vintage’ humbuckers (both with the same output, so we can only assume these were the initial versions of what became the Vintage Treble and Vintage Bass humbuckers) could be voiced individually or, in the centre position of the toggle selector, the inside slug coils of both humbuckers in series. Our pictured guitar is modded so you can hear the potential with partial coil-splits and there’s a lot more Fender flavour at the neck, not to mention a more snappy, percussive voice. You can really hear that difference A/B’ing the original with the current CE 24, reintroduced in 2016.
The Regular neck shape back then is nearly identical dimensionally to the Fiore at the nut, with a similar depth to both the Silver Sky and Fiore at the 1st fret and only marginally slimmer by the 12th. It’s slightly more V’d than either the Fiore or especially the Silver Sky, which both feel fuller in the hand.
Yet, rather like the Fiore, that original Classic Electric comes across as a similar hot-rod-style PRS, a child of the times. “When I go to an in-store signing, people that bring their CEs say how much they love them,” said Paul Reed Smith in 2016. “They’ve worn all the finish off the neck. To them, it’s a PRS and it’s an old workhorse. That guitar always had merit.”
Today, you can bag a used example for a lot less than a Custom from the same year or earlier. Our advice? Do it. These CEs are real sleepers with bags of charm and character.