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Richard Barrett is on a mission to make you a better blues player – with full audio examples and backing tracks

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Blues Headlines with Richard Barrett

Soloing Without Pentatonic­s

Tutor Richard Barrett | Gear used Knaggs SSC, Kemper Profiler Difficulty | 20 mins per example

IN THE NEVERENDIN­G QUEST to push our playing in new and fresh directions, it’s good to try new shapes, patterns and scales. In this solo, I’m forcing myself to explore different ideas by avoiding anything overtly pentatonic. Instead, I’m concentrat­ing mainly on the E minor scale (E F# G A B C D E) and referencin­g, or quoting directly from, a couple of arpeggios related to the backing chords. I’ll get more into the specifics of this later, but before that I’d like to admit that the title of this article is somewhat misleading: I’m not removing the pentatonic scale, simply enhancing it.

If we take the E minor pentatonic (E G A B D) and compare with the E minor scale mentioned earlier, you will see that there are just two extra notes: F# and C. These offer the possibilit­y of more melodic variety, but bring an increased risk of ‘wrong’-sounding notes. If you play the E minor scale over a static E minor chord, you will notice that the C really is a ‘passing’ note – nice in a melodic passage, but not a good place to land! The F# is far less volatile, though over a shifting chord progressio­n this could change…

The backing track this issue is not a traditiona­l blues chord progressio­n (Em C G D). For starters, it’s unapologet­ically minor – and blues very often makes a point of straddling the netherworl­d between major and minor with quarterton­e bends and trills between the major and minor 3rd. You can, of course, still play lots of blues-based licks, but the point here is to explore further options. Players such as Rory Gallagher, Gary Clark Jr and Joe Bonamassa have all successful­ly expanded their vocabulary to include ideas such as this, so it is most certainly worth a look. Hope you enjoy and see you next time!

Richard Barrett’s new album, Colours, is available now from richardbar­rettguitar.com

 ??  ?? Gary Clark Jr freely switches between pentatonic scale approaches and the minor scale
Gary Clark Jr freely switches between pentatonic scale approaches and the minor scale
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