Example 2

we change to the IV chord (A), where I’ve taken the opportunity to superimpose some descending triads (A, G and D) on the second, third and fourth strings. You don’t need to be a chord theory expert to do this: try transposing this idea and these shapes over the E and B chords, too. Under the cover of ringing open strings, I then shift up to around the 7th to 9th frets for some doublestops and a little run based around shape 4 of the E minor pentatonic.