Example 2


we change to the IV chord (A), where I’ve taken the opportunit­y to superimpos­e some descending triads (A, G and D) on the second, third and fourth strings. You don’t need to be a chord theory expert to do this: try transposin­g this idea and these shapes over the E and B chords, too. Under the cover of ringing open strings, I then shift up to around the 7th to 9th frets for some doublestop­s and a little run based around shape 4 of the E minor pentatonic.

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