Example 3

I’VE CHOSEN TO UNDERLINE this first statement of the V (B) changing back to IV (A) with a jazzy B7#9 leading to an A13 then picking out some of the chord tones from A major and G major. To do this, I’m simply referencing the barre chords that live around the 5th then 3rd frets – camouflaged by the fact that I’m incorporating these notes into a pentatonic lick that then chromatically leads up to a fragmented B minor (trilling to major) chord and a horizontal grab for a high E to begin the next section!