Example 3


I’VE CHOSEN TO UNDERLINE this first statement of the V (B) changing back to IV (A) with a jazzy B7#9 leading to an A13 then picking out some of the chord tones from A major and G major. To do this, I’m simply referencin­g the barre chords that live around the 5th then 3rd frets – camouflage­d by the fact that I’m incorporat­ing these notes into a pentatonic lick that then chromatica­lly leads up to a fragmented B minor (trilling to major) chord and a horizontal grab for a high E to begin the next section!

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