Home Beautiful

Hamptons design file

We head Stateside for the insider’s guide to our enduring style crush

- WORDS SARAH BURMAN

THE AMERICAN EAST COAST is synonymous with sophistica­tion, style and glamorous beachside living, where undulating coastal dunes flow into the lush private estates of screen luminaries such as Steven Spielberg and Jerry Seinfeld. The region, an easy drive from New York, is home to charming shopping districts, five-star waterfront resorts and design inspiratio­n aplenty. It’s a place where history, landscape and classic architectu­re beautifull­y intersect: visually stunning, instantly relaxing and, for lovers of iconic Hamptons style – popularise­d by films like Grey Gardens and Something’s Gotta Give – a simply inspiring destinatio­n. Before you start planning your next renovation, consider pencilling in a trip to the Hamptons – your future home could reap serious benefits. >

GETTING THERE

A trip to the Hamptons begins with a train ride or a drive – by car or via the iconic bus service, Hampton Jitney (hamptonjit­ney.com) – from New York. Travelling east towards Long Island, the drive from Midtown takes at least two hours, but can vary significan­tly depending on the time of year – during the high season (American summer) the traffic is infamous. About an hour east of the city, the landscape begins to change, morphing from the bustling metropolis of Midtown into urban Queens and finally into spacious suburbia, where glimpses of weathered cedar shingles, timber-clad facades and the occasional windmill herald your arrival into East Coast American design heaven. Further east still, the coastline grows ever more stunning, the homes grow in scale and the villages in charm: this is the Hamptons.

HAMPTONS HISTORY

The noun ‘The Hamptons’ refers collective­ly to a string of coastal communitie­s in the state of New York, stretching to the eastern tip of Long Island, including Montauk, Southampto­n and Sag Harbor. Back during the 1870s, a trainline first opened up the village of Southampto­n to the city of New York, and today it remains the economic centre of the area. Easy access, beautiful beaches and fresh air made this seaside enclave irresistib­le to world-weary New Yorkers, with each village retaining the spirit of its ancestry: Southampto­n as the original ‘summer colony’; East Hampton with its farming roots; and the laid-back fishing communitie­s of Sag Harbor and Montauk. New money changed the face of East Long Island, with many cottages and small homes giving way to stately residences which, across the generation­s, have been completely replaced, reborn or reinvented as luxurious estates: this is not a place where history is revered.

The influx of wealth was instrument­al in the developmen­t of the area’s unique architectu­ral style, with the size of the dwellings initially reflective of 19th century high society: the homes had to accommodat­e not just the owners and their guests, but also live-in servants – think Downton

Abbey – but 20th century income taxes and two world wars made short work of that lifestyle.

VIEWING

One of the best ways to take in the design and architectu­re of the Hamptons – without knocking on SJP’s front door, that is – is to head down to the beach. With miles of golden sands and grass-covered dunes, the coastline is not unlike Australia’s, with one distinct difference. Almost exclusivel­y, the waterfront homes are striking overscale examples of Shingle style and Dutch Colonial architectu­re (see breakout, page 125). One way to see these incredible abodes is by boat – companies such as Montauk Cruises (cruisemont­auk.com) share the history of the area, and deliver a perspectiv­e you won’t get any other way. Try to experience it at sunset.

“In Hamptons architectu­re, there is a broad range of references to draw from: historical Shingle, 1950s modest beach houses, 1970s New York modernist cubes, 1980s mega mansions, and the recent interpreta­tion of Shingle style” ~ Andre Tchelistch­eff

INTERIOR REFLECTION­S

While the best time of year to visit the Hamptons as a tourist is the American summer (and high season) – late May to early September – visiting during the off season, when locals traditiona­lly market homes for sale, will give you the chance to take a sneak peek at some Hamptons interiors. Grab a selection of local real estate magazines – you’ll see them everywhere from cafes to fashion boutiques – and start planning your design tour! Leading New York-based architect Andre Tchelistch­eff explains that the interior details of properties in this area are driven by lifestyle elements. “Being able to entertain is often a key factor on how a house is planned out,” he says. Expect to see “Open main floor plans, ample daylight, hardwood floors and whitewashe­d floors, and natural materials for furnishing­s, often contrasted with contempora­ry art.” Traditiona­l style will deliver painted millwork, beadboard ceilings and wainscotin­g (see below), pared-down classicism and variations of scale for different social activities, from cosy nooks to long dining tables to accommodat­e family and friends. Interior designer Natalee Bowen of Indah Island points to lighting as being an important element in any Hamptons home, as well as a soothing palette inspired by nature. “Whites, greys, blues – with the art or fabric as contrast,” agrees Andre.

“The beauty of this style is that it’s layered. If you want to go sophistica­ted, add drama with lighting; or if you want a more masculine space you might go with monochrome and grey over blue and white” ~ Natalee Bowen

EXTERIOR STYLE

The now-iconic architectu­ral style of homes in the Hamptons is reflective of the lifestyle enjoyed by its locals. Gary Lawrance, an architect and author of Houses Of The Hamptons 1880-1930, explains: “When people come to the Hamptons, they crave the sense of being part of what a traditiona­l summer is supposed to be – beaches, lounging, leisure, food and wine, gatherings of family and friends, and yet no-one wants to live in a house that hasn’t kept up with the times.” So while the look feels timeless, it is always subtly evolving, with a few constants: Gary lists white-painted columns, porches, slate, windows with shutters and bluestone in traditiona­l homes. Architect Andre Tchelistch­eff concurs, further adding distinctiv­e geometry, gables and privet hedges to that list. “Fire pits have become increasing­ly popular; teak decks both under covered porches and extending into the gardens; and bluestone pavers around pools and walkways,” he says. “Incorporat­ing a pool house as a feature in the landscape seen from the house is also popular.”

GARDEN GLAMOUR

As important as the house itself is, the landscapin­g surroundin­g a Hamptons home is just as definitive. The classic, structured formality extends from the architectu­re to the hardscapin­g via paved stone courtyards and pergolas to the planting beyond. You can expect to see “Lots of shrubs, hydrangeas, boxwood, geraniums, white flowers, grasses and many potted plants beautifull­y arranged around entrances, patios and the pool,” explains Gary Lawrance. Verandahs, large white-framed dormer windows, bi-fold doors and paved entertaini­ng areas that connect with these zones are also an important part of the design. According to Gary, there is a trend towards windows and doors that slide into walls to enhance this easy flow. And, surprising­ly, forget fences – it’s all about hedges! Privacy is achieved via sky-high hedges, which are usually maintained by on-staff gardeners. Gravel driveways and paths in on-trend neutral colours and grey are edged with careful topiary and moulded hedging, sometimes freeform, in a beautiful balance of shape and structure.

“Spacious living areas opening onto porches and terraces, where life ebbs and flows, to the pool, tennis, barbecue… Outdoor cooking is a must” ~ Andre Tchelistch­eff

 ??  ?? East Hampton’s Main Beach tops lists of the best US beaches, and is a beautiful spot to take in the architectu­re from the sand.
East Hampton’s Main Beach tops lists of the best US beaches, and is a beautiful spot to take in the architectu­re from the sand.
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