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Creative collection Meet Paige Miller of The Dusty Road Upholstery

IT TOOK PAIGE MILLER A DECADE TO FIND HER TRUE PASSION. NOW, THE SELF-CONFESSED ‘UPHOLSTERY NERD’ COULDN’T BE HAPPIER

- Words & Styling KYLIE JACKES Photograph­y JOHN DOWNS

At just 50 square metres, there’s not a lot of space to move about in Paige Miller’s workshop, where she runs her business, The Dusty Road Upholstery. Tucked underneath a gallery in Byron Bay’s bustling Arts & Industrial Estate, the tiny space where Paige often works late into the night transformi­ng furniture, is filled with fabric stacks, samples and a hefty industrial sewing machine and overlocker. While it swelters in summer and is a squeeze when crammed with pieces in progress, the workshop is her happy place. “For me, it’s a dream to immerse myself in a craft which is so transforma­tive,” she says.

Having dabbled in a variety of things, such as an environmen­tal science degree, marketing, hospitalit­y, long stints travelling, and television production, Paige finally found her creative side when she moved to Byron Bay eight years ago, and fell in love with upholstery.

“It was like falling down a rabbit hole and finding myself in Alice’s wonderland filled with possibilit­ies,” she explains. Paige landed a job as a PA for acclaimed artist David Bromley and his wife, Yuge, which opened her eyes to many artistic applicatio­ns, the most fascinatin­g of which for her proved to be upholstery. “David would find interestin­g antique furniture pieces and get them reupholste­red in an old canvas, a paint-splattered drop sheet or vintage rugs, and the result was incredible,” she says.

What followed was a three-year self-guided apprentice­ship of sorts. The first challenge was learning how to sew on an industrial machine she’d bought for $500, which turned out to be a lemon. “It made it a very rocky start, but over the years I’ve discovered skills I never knew

I had, like persistenc­e, and that I can lift and wrestle furniture twice my weight,” she says.

An eager student, Paige sought out experience wherever she could, with several local upholstere­rs generously sharing their knowledge and offering her work. The Bromleys also commission­ed upholstery projects she’d tackle while studying books on the topic, watching You Tube tutorials and Googling. “By that stage they’d moved to Daylesford [Victoria], so I’d go down there for stints and lock myself in a studio full of chairs, and just sit for hours working things out, practising and making mistakes. It was a really good way to learn and I’m so grateful for David,” she says.

Since launching her business two-and-a-half years ago, Paige has carved out a niche not only reupholste­ring furniture, but also working with interior designers and architects on fit-outs for local restaurant­s and accommodat­ion providers, creating everything from custom bedheads and joinery through to banquet seating. “There’s infinite possibilit­ies with upholstery and always something to learn, which is why I love it,” she says. “I can’t imagine doing anything else.”

“I’M STILL LEARNING. THAT’S WHAT I LOVE ABOUT UPHOLSTERY. YOU CAN’T BECOME A MASTER OVERNIGHT. IT’S A DAILY PRACTICE” ~ Paige

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 ??  ?? THIS PAGE, CLOCKWISE FROM TOP LEFT: A finished piece ready for collection; samples from Paige’s fabric collection: “One of my favourite parts of the job is sourcing the right fabric for a project,” says Paige (opposite); a completed daybed in green velvet in a client’s home; an Italian-designed circa ’90s chair, reupholste­red in boucle fabric by Elliott Clarke for local clothing store St Agni; Paige at work on her machine: “Although challengin­g and unforgivin­g to work with, velvet and leather always looks amazing,” she says.
THIS PAGE, CLOCKWISE FROM TOP LEFT: A finished piece ready for collection; samples from Paige’s fabric collection: “One of my favourite parts of the job is sourcing the right fabric for a project,” says Paige (opposite); a completed daybed in green velvet in a client’s home; an Italian-designed circa ’90s chair, reupholste­red in boucle fabric by Elliott Clarke for local clothing store St Agni; Paige at work on her machine: “Although challengin­g and unforgivin­g to work with, velvet and leather always looks amazing,” she says.

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