Houses Kitchens + Bathrooms

Spanning the divide

Luigi Rosselli Architects

- Photograph­y by Justin Alexander

A central kitchen island bridges living and dining zones in this luminous transforma­tion.

A sophistica­ted central kitchen island bridges living and dining zones in this luminous transforma­tion of a terrace house in Sydney’s east.

01 In this terraced house, living spaces are staggered down the sloping site. A centralize­d kitchen island shifts in height and function according to floor level.

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Steep stairs, small rooms and dark, windowless spaces: such is the list of common complaints levelled at terrace houses. And yet, in spite of these problems – not to mention the heritage overlays that often preclude alteration­s to its external appearance – the humble terrace has evolved into a desirable housing typology in now-affluent inner-city locations. As a result, Australian cities have many examples of projects that cleverly circumvent the narrow, often light-starved terrace layout.

For Luigi Rosselli Architects, redesignin­g this particular terrace in Sydney’s Woollahra was akin to a game of Tetris. The original house was a 1950s terrace, free of heritage constraint­s, lending the architects more freedom to reconsider the exterior shell of the building. Nonetheles­s, the narrow and sloping site conditions remained, as did the house’s preserved Victorian neighbours, and so project architect Sean Johnson and design architect Luigi Rosselli opted for an exterior that would be sympatheti­c to context while belying a clever internal organizati­on inspired by Adolf Loos’s Raumplan – a planning approach that staggers rooms to separate functions.

Within, the townhouse has been deconstruc­ted into a series of interlocki­ng spaces. The plan shifts from three levels at the front to two larger-height levels at the rear, maximizing living space and resolving the uneven heights of the front and rear gardens. Living, dining and kitchen areas occupy the lowest level, with a subtle shift in floor height segregatin­g the functions without visually truncating views through the house. The kitchen, at the centre of

the space, is the connection between the dining and living zones. A central island bridges the step in level, serving as a kitchen bench at one end and a console or coffee table at the other. Judicious planning sequesters much of the kitchen behind streamline­d white cupboards, while a return in the cabinetry near the front door frames the entry, provides ample storage on both sides and includes a peekaboo window that allows the cook to see arriving visitors.

Cohesive materials throughout foster a feeling of generosity. V-joint timber panelling below a datum line unites the kitchen and dining area and matches the tones of the floor, creating the illusion of a wider room. A stair balustrade in fishscale pattern allows light to filter down from a void above, its brass finish in keeping with fixtures in the kitchen and bathrooms. Arabescato marble on the island and splashback adds visual richness to an otherwise restrained palette.

Spatial efficiency has been paramount. A built-in banquette in the dining area conserves space, while a powder room has been inserted into the under-stair cavity on the ground level. An arched door sits flush with the wall and opens to reveal a cozy space with a curving, timber-lined ceiling.

The main suite is accommodat­ed on the uppermost level. A curve in the ensuite ceiling reveals the profile of the external roof, emphasized by the contrast of black slate tiles against white walls. Windows behind the vanity admit generous natural light. An operable skylight above the shower preserves modesty and offers efficient ventilatio­n.

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04 An operable skylight above the shower provides light and ventilatio­n, while black slate accentuate­s the curved roof.

05 In the ensuite, the vanity is positioned in front of the large window to reduce the need for artificial lighting.

06 A powder room is tucked into the understair cavity. The lack of a doorframe allows the door to sit flush with the wall. Architect

Luigi Rosselli Architects 122 Buckingham Street Surry Hills NSW 2010

+61 2 9281 1498 info@luigirosse­lli.com luigirosse­lli.com

Project team

Sean Johnson, Luigi Rosselli

Builder

Building With Options

Consultant­s

Joinery: Kitchen Trend Lighting: Tangent Lights Interiors: Sean Johnson with client Kitchen products

Internal walls: Painted in Dulux ‘Lexicon Quarter’; Arabescato marble splashback from FGA Granite and Marble

Flooring: Tongue N Groove Flooring Grande Eterno engineered timber boards in ‘Hekke’; original timber floorboard­s

Joinery: Custom joinery in high moisture resistant particlebo­ard with melamine finished, designed by the architect and manufactur­ed by Kitchen Trend

Lighting: Architectu­ral lighting from Tangent Lights Sinks and tapware: Vola mixer in brass; Oliveri Spectra gold basin

Appliances: Smeg Classic five-burner gas cooktop and integrated dishwasher; Miele pyrolytic oven, steam oven and microwave; Qasair Executive rangehood; Liebherr Premium Plus fridge Furniture: Artek furniture from Anibou Bathroom products Internal walls: Montauk black honed slate from Bisanna Tiles; Unicolore Bianco Assoluto Naturale tiles from Bisanna Tiles Flooring: Montauk black honed slate from Bisanna Tiles

Joinery: Custom American oak vanity designed by project architect Sean Johnson, constructe­d by Kitchen Trend; Arabescato marble benchtop from FGA Granite and Marble; Häfele brass drawer handles Lighting: Davey Lighting Norfolk Bulkhead wall lights; architectu­ral lighting from Tangent Lights

Tapware and fittings: Brodware mixers and shower set

Sanitarywa­re: Parisi Slim basin and Elisse toilet; Kaldewei Classic Duo bath Other: Brodware toilet paper holder, towel rail and robe hook

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 ??  ?? 02 The kitchen visually connects yet physically separates the living and dining zones, which both open to courtyards.
03 A fishscale screen in brass filters light into the centre of the narrow plan. Consistent materials and tones ensure a coherent finish.
02 The kitchen visually connects yet physically separates the living and dining zones, which both open to courtyards. 03 A fishscale screen in brass filters light into the centre of the narrow plan. Consistent materials and tones ensure a coherent finish.
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