Houses

A Design Studio Studio

After years developing his expertise in architectu­ral lighting, designer Alex Fitzpatric­k now channels his fascinatio­n for the scientific and poetic aspects of light into his own collection of decorative fixtures and objects.

- Words by Rebecca Gross

Designer Alex Fitzpatric­k works with glass to explore the interplay between light, space and materials.

Alex Fitzpatric­k, founder of A Design Studio, is fascinated by the scientific and poetic aspects of light – the technical details of a lighting fixture and the ambient effects of the diffused light. “I try to capture light within a material without the light source being visible,” he explains. “It’s about how the light is cast and the effect it creates.

The process and product are part of it but not my underlying goal.”

Graduating from university with a degree in industrial design, Alex worked at lighting companies in Canada and Australia, developing expertise in commercial projects, architectu­ral lighting and custom fittings. He also designed a line of decorative LED fittings on the side and in 2015 went out on his own. Using single integrated LED chips concealed within traditiona­l materials such as metal and glass, Alex transforms space with his lights.

Inspired by the sun’s rays filtering through a forest canopy, Alex designed his first fitting, Light Garden, in 2011. The triangular modules have petal-like forms and can be configured in abstract and organic compositio­ns so that light pierces through the gaps and casts patterns of light and shadow on the wall. Alex has evolved Light Garden with larger modules and different materials, including a limited-edition series in alabaster stone for which he received a Maison & Objet Rising Talent

Award in 2017.

Continuing to explore the interplay between light and materials, Alex started designing with glass. He collaborat­ed with Sydney-based glass artist Ben Edols to test techniques whereby the lampshade could be illuminate­d by a hidden light source.The result is Eon, a collection of pendants with crackle glass shades.

Alex used a combinatio­n of materials for his Greenway pendant, which is inspired by Macquarie Lighthouse in Vaucluse. Named for architect Francis Greenway, the pendant stacks glass, metal and 3D-printed plastic in a form that references the architectu­re of the lighthouse and emits light in different ways. “The perforated lattice helps distribute the light, slots in the metal kick light upwards and the glass captures the light within its edge,” Alex describes.

Working with architects and designers, Alex customizes and further develops his light fittings for residentia­l, hospitalit­y and commercial projects. He has also created a line of Crackle Vases, in clear and milky alabaster for his own brand and in richly coloured glass for his partnershi­p with Lane Crawford. adesignstu­dio.com.au

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 ??  ?? 01 01 Alex Fitzpatric­k, lighting designer and founder of A Design Studio.
01 01 Alex Fitzpatric­k, lighting designer and founder of A Design Studio.
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02 Light Garden, Alex’s first light fitting, is inspired by the sun’s rays filtering through a forest canopy.
02 02 Light Garden, Alex’s first light fitting, is inspired by the sun’s rays filtering through a forest canopy.
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04 The Crackle Vases collection is a line of clear and milky glass vessels that appear as if they are fractured.
04 04 The Crackle Vases collection is a line of clear and milky glass vessels that appear as if they are fractured.
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03 The Greenway Pendant references the architectu­re of Australia’s oldest lighthouse.
03 03 The Greenway Pendant references the architectu­re of Australia’s oldest lighthouse.

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