Houses

Ryde Street House

The careful reconfigur­ing of a modest 1900s worker’s cottage in Hobart enables a young family to remain in the community they love without compromisi­ng on character, amenity or garden space.

- by Bence Mulcahy

Alteration + addition Hobart, Tas

The expansion of Hobart was facilitate­d in part by the tram network establishe­d in the Tasmanian city during the 1890s. The arrival of the network and the city’s burgeoning population saw clusters of modest brick and timber cottages built in the suburb of North Hobart, a hilly area that benefitted from increased accessibil­ity. More than 100 years later, architect Shamus Mulcahy purchased one of these worker’s cottages: a modest one-storey, single-fronted, co-joined house that had been typical of the area before the slum clearance program of the 1950s wiped out so many others like it.

Living in the house for 15 years, Shamus came to understand the flexibilit­y of the simple cottage format. He initially shared the place with two schoolmate­s before it became his first home with his partner Kate, and it was subsequent­ly rented out while the couple lived overseas for three years. Returning from London in 2011, Shamus and Kate were concerned that the tiny 83-square-metre cottage would not accommodat­e the next stage of their lives. Having investigat­ed moving, they soon realized that the inner-city location provided great neighbourh­ood amenity, including the ability to walk to work. Rapidly rising property prices also highlighte­d the value in investing in their existing home rather than upscaling to a bigger and more expensive house that may still have needed additional work.

The arrival of their first child in 2013 was the catalyst for the initial stage of building works. The front bedroom and street-facing verandah were

renovated, creating a pair of useful spaces that were connected to the outdoors and benefitted from natural light. Two years later, the arrival of their second child prompted the next stage of the renovation­s. Functional­ly, the family needed a larger living room, an additional bedroom and bathroom, a connection to the garden and more light in the living spaces. They also felt it was important that the new extension was “respectful and neighbourl­y,” preserving the local character of the streetscap­e and block pattern.

In order to add 52 square metres to the tiny cottage yet avoid any visual clues that the house had been extended, Shamus developed a strategy to reconfigur­e the internal volume, extruding the existing envelope and utilizing the gentle slope at the rear of the block to create a second storey. The original floor level now creates a landing for a split-level arrangemen­t. The new bedroom and bathroom occupy the roof space on the upper floor while the ground floor is sunken 1.5 metres from the original to align with the level of the rear of the site. This establishe­s a new open-plan living space that is directly connected to the garden beyond. Three skylights admit daylight into the building, with a double-height void drawing sunlight into the deep plan of the ground-floor spaces. Together, the skylights and void create a delightful and constantly changing pattern as the sunlight moves around the space throughout the day, illuminati­ng and highlighti­ng different surfaces and objects.

A steel portal at the eastern end of the building frames and accentuate­s the house’s previously disguised asymmetric­al section. A screen of vertical battens creates two-way privacy between the occupants and the neighbours and adds a sense of warm interiorit­y to the bedroom. The original intention to retain the existing boundary walls of the house was abandoned for ease of constructi­ng the new retaining walls, but the original bricks were recycled to create the new shell of the building. The reconstruc­ted walls are left unrendered, allowing the traces of the bricks’ previous life to provide a subtly decorative surface that connects past to present. Similarly, the vertical tongue-and-groove boards that formed a dado around the original rooms are replicated in the new joinery, interweavi­ng old and new.

A singular colour palette pays homage to the domestic context, with the red of the roof carried down to the garden fences and outbuildin­gs, and back into the house through the joinery in the living room. On the upper floor, the red is tinted to create various shades of lighter pink. The bedroom is so faintly pink that it almost seems as if the colour is created by the light filtering through the screen beyond. The darker dado of the bathroom tiles is contrasted with a lighter panel above and this detail is carried through into the custommade shower curtain.

An incredibly simple but deceptivel­y rich project, Ryde Street House provides a wonderful model for updating the modest simplicity of tiny innercity dwellings without compromisi­ng amenity or neighbourh­ood character. It also delivers a delightful series of spaces that can continue to adapt with the family during the next 15 years and beyond.

Products

Roofing: Lysaght Custom Orb in Colorbond ‘Manor Red’

External walls: Recycled bricks salvaged from demolition

Internal walls: CSR Gyprock plasterboa­rd in Dulux Wash and Wear

Windows: Velux operable skylights; Jewel Sashless Windows in Dulux Duralloy ‘Manor Red’

Doors: Capral Aluminium sliding doors in Dulux Duralloy ‘Manor Red’

Flooring: Tasmanian oak flooring in Whittle Waxes Evolution Object Oil Classic finish

Lighting: Zero Silo Trio pendant; Vistosi Lucciola pendant; Unios surface mounted downlights

Kitchen: Franke stainless steel sink; Smeg dishwasher, oven and cooktop; Brodware tapware; benchtop from Artedomus; custom Tasmanian oak joinery

Bathroom: Brodware tapware; Caroma toilet; Duravit basin; Artedomus Antilia tiles; Rosetto tiles

Heating and cooling: Rehau hydronic heating system from Reece

External elements: Turf and irrigation by Henry Weston Smith

Architect

Bence Mulcahy +61 409 741 864 shamus@bencemulca­hy.com.au bencemulca­hy.com.au

Project team Shamus Mulcahy, Bek Verrier, Sophie Bence Builder Thylacine

Constructi­ons Engineer JMG Engineers and Planners

Surveyor Lee Tyers Building Surveyors

ESD consultant RED Sustainabi­lity Consultant­s

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 ??  ?? 04 Walls rebuilt from the cottage’s original bricks are left unrendered as a reminder of its history.
04 Walls rebuilt from the cottage’s original bricks are left unrendered as a reminder of its history.
 ??  ?? 06 A new library, study, ensuite and bedroom are accommodat­ed in the roof space.
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06 A new library, study, ensuite and bedroom are accommodat­ed in the roof space. 06
 ??  ?? 05 A screen of vertical battens gives a sense of warmth to the upstairs bedroom.
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05 A screen of vertical battens gives a sense of warmth to the upstairs bedroom. 05
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