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Studio South Drawn

Collaborat­ion, artisanal craftsmans­hip and rigorous experiment­ation are at the heart of this Melbourne-based lighting studio.

- Words by Leanne Amodeo

This Melbourne studio creates finely detailed lighting designs that exude bespoke,

tactile beauty.

The South Drawn story began in 2016 under a different name, when designer Luke Mills establishe­d Lumil. Fast-forward five years and the Melbourne-based lighting studio underwent a complete rebrand after

Luke’s brother Christian came on board. The studio’s values have remained the same, though, with collaborat­ion, artisanal craftsmans­hip and rigorous experiment­ation at its heart. Add to that a generous dose of curiosity and the refinement of a luxe yet functional aesthetic and it’s no surprise that South Drawn’s portfolio of pendant and wall lights is so appealing.

As the studio’s design director, Luke is inspired by nature, in particular its organic forms. He also has a strong interest in materials and this drives his approach, while steering the course of manufactur­e and eventual tangible outcome. “A lot of our exploratio­ns may well result in failed prototypes and messes that have to be cleaned up, but every now and then you get an unexpected surprise and that’s what’s worth the pursuit,” he says. “The goal is to create pieces that have a defined personalit­y.”

Each South Drawn design is distinct in concept and shape, and so exquisite in finish that it resembles a work of art. Crescendo, for example, showcases the hand of the maker with its woven fitting, originally conceived using leather until Luke started experiment­ing with strips of acoustic panelling. And the Hat pendant, in joining together a ceramic or spun metal top with a spun aluminium base, highlights the studio’s fine detailing. This product also exemplifie­s the close relationsh­ip the brothers have with their manufactur­ers and just how important these partnershi­ps are to the overall process.

Christian oversees production and logistics and works closely with both local manufactur­ers and artisans to realize South Drawn’s designs. Tile Linear is perhaps the studio’s most successful partnershi­p to date. As Luke explains, “This product is the perfect example of assuming a simple form will translate to a simple manufactur­ing technique. Thankfully, our incredible manufactur­ers in Melbourne allowed us to explore alternativ­e processes that completely transforme­d the design.” Indeed, Tile Linear’s neat series of three handcrafte­d “folded clay” tiles that are slid over an LED strip belies its complexity, lending it a bespoke, tactile beauty that calls for closer inspection.

Luke and Christian are currently experiment­ing with glass manufactur­ing and are due to release a range of glass designs this year. Their passion for what they do and the people they work with resonates throughout their portfolio and this new collection promises to be just as compelling as all the others. Ultimately, South Drawn designs are statement pieces made memorable by the elegance they bring to an interior. southdrawn.com.au

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 ??  ?? 01 01 The Beam pendant’s streamline­d form and powdercoat­ed aluminium shell exude a luxe yet functional aesthetic.
01 01 The Beam pendant’s streamline­d form and powdercoat­ed aluminium shell exude a luxe yet functional aesthetic.
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02 South Drawn cofounders (L–R) Luke and Christian Mills. Photograph:
Daniel Mallia for Emble Studio.
02 02 South Drawn cofounders (L–R) Luke and Christian Mills. Photograph: Daniel Mallia for Emble Studio.
 ??  ?? 06 The modular
Tile series also includes wall lights. Photograph:
Lillie Thompson.
06
06 The modular Tile series also includes wall lights. Photograph: Lillie Thompson. 06
 ??  ?? 05 Clay tiles are folded and mounted onto an LED strip in the tactile design of Tile Linear. Photograph:
Lillie Thompson.
05
05 Clay tiles are folded and mounted onto an LED strip in the tactile design of Tile Linear. Photograph: Lillie Thompson. 05
 ??  ?? 04 Crescendo’s shell of acoustic fabric is the result of material experiment­ation. Photograph:
Lillie Thompson.
04
04 Crescendo’s shell of acoustic fabric is the result of material experiment­ation. Photograph: Lillie Thompson. 04
 ??  ?? 03 The woven shade of Crescendo showcases the hand of the maker. Photograph:
Daniel Mallia for Emble Studio.
03
03 The woven shade of Crescendo showcases the hand of the maker. Photograph: Daniel Mallia for Emble Studio. 03

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